The Scandal of Rhetoric. On 'Otherness' of Metaphor in Gothic and Monstrosity

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Scandal of Rhetoric. On 'Otherness' of Metaphor in Gothic and Monstrosity by Yehia Abd El Azeem, GRIN Verlag
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Author: Yehia Abd El Azeem ISBN: 9783656739746
Publisher: GRIN Verlag Publication: September 10, 2014
Imprint: GRIN Verlag Language: English
Author: Yehia Abd El Azeem
ISBN: 9783656739746
Publisher: GRIN Verlag
Publication: September 10, 2014
Imprint: GRIN Verlag
Language: English

Research Paper (postgraduate) from the year 2013 in the subject English - Literature, Works, grade: 75, University of Salford, course: Gothic and Monstrosity, language: English, abstract: This research paper demonstrates another semantic presentation of Metaphor in Gothic texts .i.e. The Island of Doctor Moreau (1896) and Dr.Jekyll and Mr.Hyde (1886), by way of setting in opposition generic understandings of rhetoric in due pace. On the face of it, narration becomes a conditional cognizance of intra-textuality, independent from any authorial promptitude; but which multiply the 'subjects' and 'objects' into play. In this effect and by conducting a recurrent identification of Metaphoricity in the referential function of metric-levels in music, against the sub-conscious gradations of characterization,a novelty of Dramatic standpoints become imminent according to which we come across new dramatis personae, new shades of empiricism and definitely an author who is scarcely in reach of his text.

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Research Paper (postgraduate) from the year 2013 in the subject English - Literature, Works, grade: 75, University of Salford, course: Gothic and Monstrosity, language: English, abstract: This research paper demonstrates another semantic presentation of Metaphor in Gothic texts .i.e. The Island of Doctor Moreau (1896) and Dr.Jekyll and Mr.Hyde (1886), by way of setting in opposition generic understandings of rhetoric in due pace. On the face of it, narration becomes a conditional cognizance of intra-textuality, independent from any authorial promptitude; but which multiply the 'subjects' and 'objects' into play. In this effect and by conducting a recurrent identification of Metaphoricity in the referential function of metric-levels in music, against the sub-conscious gradations of characterization,a novelty of Dramatic standpoints become imminent according to which we come across new dramatis personae, new shades of empiricism and definitely an author who is scarcely in reach of his text.

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