Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders between the Balkans and Europe

The Geopolitical and imaginary borders between the balkans and Europe

Nonfiction, History, Austria & Hungary, Fiction & Literature, Literary Theory & Criticism, Theory, European General
Cover of the book Do the Balkans Begin in Vienna? The Geopolitical and Imaginary Borders between the Balkans and Europe by Ana Foteva, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ana Foteva ISBN: 9781454193258
Publisher: Peter Lang Publication: April 22, 2014
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Ana Foteva
ISBN: 9781454193258
Publisher: Peter Lang
Publication: April 22, 2014
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

Do the Balkans Begin in Vienna? takes up one of the most fraught areas of Europe, the Balkans. Variously part of the Austro-Hungarian, Ottoman, and Byzantine empires, this region has always been considered Europe’s border between the Orient and the Occident. Aiming to clarify the politics of drawing cultural borders in this region, the book examines the relations between the Habsburg Monarchy and the Balkans as an intermediate space between West and East. It demonstrates that the dichotomy Orient versus Occident is insufficient to explain the complexity of the region. Therefore, cultural multi-belonging, historical disruption, and recurrence of identities and conflicts are proposed to be «the essence» of the Balkans.
Do the Balkans Begin in Vienna? depicts the fictional imagination of the Balkans as a «utopian dystopia». This oxymoron encompasses the utopian projections of the Austrian/ Habsburg writers onto the Balkans as a place of intact nature and archaic communities; the dystopian presentations of the Balkans by local authors as an abnormal no-place (ou-topia) onto which the historical tensions of empires have been projected; and, finally, the depictions of the Balkans in the Western media as an eternal or recurring dystopia.
There is at present no other study that distinguishes these particular geographical reference points. Thus, this book contributes to the research on Europe’s historical memory and to scholarship on postcolonial and/or post-imperial identities in European states. The volume is recommended for courses on Austrian, German, Balkan, and European studies, as well as comparative literature, theater, media, Slavic literatures, history, and political science.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Do the Balkans Begin in Vienna? takes up one of the most fraught areas of Europe, the Balkans. Variously part of the Austro-Hungarian, Ottoman, and Byzantine empires, this region has always been considered Europe’s border between the Orient and the Occident. Aiming to clarify the politics of drawing cultural borders in this region, the book examines the relations between the Habsburg Monarchy and the Balkans as an intermediate space between West and East. It demonstrates that the dichotomy Orient versus Occident is insufficient to explain the complexity of the region. Therefore, cultural multi-belonging, historical disruption, and recurrence of identities and conflicts are proposed to be «the essence» of the Balkans.
Do the Balkans Begin in Vienna? depicts the fictional imagination of the Balkans as a «utopian dystopia». This oxymoron encompasses the utopian projections of the Austrian/ Habsburg writers onto the Balkans as a place of intact nature and archaic communities; the dystopian presentations of the Balkans by local authors as an abnormal no-place (ou-topia) onto which the historical tensions of empires have been projected; and, finally, the depictions of the Balkans in the Western media as an eternal or recurring dystopia.
There is at present no other study that distinguishes these particular geographical reference points. Thus, this book contributes to the research on Europe’s historical memory and to scholarship on postcolonial and/or post-imperial identities in European states. The volume is recommended for courses on Austrian, German, Balkan, and European studies, as well as comparative literature, theater, media, Slavic literatures, history, and political science.

More books from Peter Lang

Cover of the book Markenschutz in Georgien und Deutschland by Ana Foteva
Cover of the book Ansprueche bei Verlust eines GmbH-Anteils aufgrund gutglaeubigen Erwerbs by Ana Foteva
Cover of the book Tabuisierte Sprachvarietaeten im Russischen und ihre Uebersetzung ins Deutsche by Ana Foteva
Cover of the book Das Modellgesetz als geeignetes Instrument europaeischer Vertragsrechtsharmonisierung by Ana Foteva
Cover of the book Innovationssysteme und Wohlstandsentwicklung in der Welt by Ana Foteva
Cover of the book Paradoxien humanitaerer Hilfe by Ana Foteva
Cover of the book Globalization, Translation and Transmission: Sino-Judaic Cultural Identity in Kaifeng, China by Ana Foteva
Cover of the book La protection des intérêts privés sur le marché intérieur by Ana Foteva
Cover of the book Réhabilitation dun poète haïtien by Ana Foteva
Cover of the book Cultural Contexts and Literary Forms by Ana Foteva
Cover of the book Global Dialectics in Intercultural Communication by Ana Foteva
Cover of the book Female Images of God in Christian Worship by Ana Foteva
Cover of the book Haftungsfragen bei Unfaellen zwischen Radsportlern by Ana Foteva
Cover of the book Das Recht der Gesellschafter-Fremdkapitalfinanzierung by Ana Foteva
Cover of the book Raum und Zeit im Kontext der Metapher by Ana Foteva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy