Warlikowski: Extra Ecclesiam

Translated by Soren Gauger

Nonfiction, Entertainment, Drama, American, Fiction & Literature
Cover of the book Warlikowski: Extra Ecclesiam by Grzegorz Niziolek, Peter Lang
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Author: Grzegorz Niziolek ISBN: 9783653998924
Publisher: Peter Lang Publication: December 9, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Grzegorz Niziolek
ISBN: 9783653998924
Publisher: Peter Lang
Publication: December 9, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

Krzysztof Warlikowski’s work stands among the most remarkable phenomena in post-1989 European theater. This book joins Warlikowski’s theater with the dynamic changes in Polish society following 1989, using strategies borrowed from psychoanalysis, theater anthropology, performance studies, and cultural poetics. This book is not only about an artist of the theater, but above all about the theater production as an object of the audience’s desire, an object evoking fascination, revulsion, aversion, and opposition. This is why the performances are analyzed as a series of flash-points, constellations with powerful affective impacts. It focuses on fragments of social rituals, material objects with major potential to spark audience emotions, and gestures of violence. The piecemeal narrative serves to cull out aspects of Warlikowski’s performances that could be read as symptoms of social drama.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Krzysztof Warlikowski’s work stands among the most remarkable phenomena in post-1989 European theater. This book joins Warlikowski’s theater with the dynamic changes in Polish society following 1989, using strategies borrowed from psychoanalysis, theater anthropology, performance studies, and cultural poetics. This book is not only about an artist of the theater, but above all about the theater production as an object of the audience’s desire, an object evoking fascination, revulsion, aversion, and opposition. This is why the performances are analyzed as a series of flash-points, constellations with powerful affective impacts. It focuses on fragments of social rituals, material objects with major potential to spark audience emotions, and gestures of violence. The piecemeal narrative serves to cull out aspects of Warlikowski’s performances that could be read as symptoms of social drama.

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