The presentation of the Iranian woman. A critical reflection of Azar Nafisi's novel 'Reading Lolita in Tehran' (2004) and Azadeh Moaveni's 'Lipstick Jihad' (2005)

Fiction & Literature, Literary Theory & Criticism
Cover of the book The presentation of the Iranian woman. A critical reflection of Azar Nafisi's novel 'Reading Lolita in Tehran' (2004) and Azadeh Moaveni's 'Lipstick Jihad' (2005) by Matthias Dickert, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Matthias Dickert ISBN: 9783668278394
Publisher: GRIN Verlag Publication: August 19, 2016
Imprint: GRIN Verlag Language: English
Author: Matthias Dickert
ISBN: 9783668278394
Publisher: GRIN Verlag
Publication: August 19, 2016
Imprint: GRIN Verlag
Language: English

Scientific Essay from the year 2016 in the subject Literature - Middle East, , language: English, abstract: Azadeh Moaveni' s novel 'Lipstick Jihad' (2005) is a typical novel of female Muslim writers disposing of a Muslim and Western background. This (double) insight into two seemingly opposing worlds enables author and reader alike to get a deeper insight into Muslim characters who are often torn between these two extremes which many Muslim authors describe as a personal dilemma in form of a jihad. Jihad here is used it its basic meaning which corresponds a personal struggle based on a Muslim background (here the Iranian diasporic situation in the USA) which is accompanied by the nostalgia for and belonging to Iran as a homeland. The hybrid which is a result from this and which is so typical for Muslim writing of the second generation in general is also reflected in 'Reading Lolita in Tehran' (2004) the second novel analysed here. This 'hybrid condition' is strongly reflected in the personal, cultural and religious odyssey most Muslim characters experience. This especially goes for women since they are still portrayed in their inferior role. The common basis of both novels can therefore be seen in the influence of the Iranian setting in general and the role of the Iranian Revolution and the emerging Iranian Republic in particular which both strongly shaped this nation and her inhabitants while also throwing light on the (mostly difficult) life in Iran. It is also this specific situation of Iran which many female authors use as a setting which disposes of a dramatic background which is used as an underlying dramatic element for the narration as such.

Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universität/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenwärtigen englischen Roman. Zahlreiche Veröffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift für Interdisziplinäre ökonomische Forschung, GRIN Verlag); Vorträge an europäischen Hochschulen. Doktorarbeit über das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Scientific Essay from the year 2016 in the subject Literature - Middle East, , language: English, abstract: Azadeh Moaveni' s novel 'Lipstick Jihad' (2005) is a typical novel of female Muslim writers disposing of a Muslim and Western background. This (double) insight into two seemingly opposing worlds enables author and reader alike to get a deeper insight into Muslim characters who are often torn between these two extremes which many Muslim authors describe as a personal dilemma in form of a jihad. Jihad here is used it its basic meaning which corresponds a personal struggle based on a Muslim background (here the Iranian diasporic situation in the USA) which is accompanied by the nostalgia for and belonging to Iran as a homeland. The hybrid which is a result from this and which is so typical for Muslim writing of the second generation in general is also reflected in 'Reading Lolita in Tehran' (2004) the second novel analysed here. This 'hybrid condition' is strongly reflected in the personal, cultural and religious odyssey most Muslim characters experience. This especially goes for women since they are still portrayed in their inferior role. The common basis of both novels can therefore be seen in the influence of the Iranian setting in general and the role of the Iranian Revolution and the emerging Iranian Republic in particular which both strongly shaped this nation and her inhabitants while also throwing light on the (mostly difficult) life in Iran. It is also this specific situation of Iran which many female authors use as a setting which disposes of a dramatic background which is used as an underlying dramatic element for the narration as such.

Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universität/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenwärtigen englischen Roman. Zahlreiche Veröffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift für Interdisziplinäre ökonomische Forschung, GRIN Verlag); Vorträge an europäischen Hochschulen. Doktorarbeit über das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.

More books from GRIN Verlag

Cover of the book Diagnostische Ansätze zur Überprüfung eines Trainings im Kontext von Entspannungsprogrammen in der Grundschule by Matthias Dickert
Cover of the book Zielgruppe 60 plus. Potenziale für das Marketing by Matthias Dickert
Cover of the book Kommunale Familienpolitik - Familienzentren by Matthias Dickert
Cover of the book Gelungene soziale Integration? Ethnische Chinesen in Thailand by Matthias Dickert
Cover of the book Klassenzimmer als Lebensraum: Einflüsse der Raumgestaltung auf die Lernbereitschaft by Matthias Dickert
Cover of the book 'Mitarbeiter richtig motivieren' - Alle wissen was zu tun ist, aber keiner wie by Matthias Dickert
Cover of the book Erziehung in Altertum und Mittelalter by Matthias Dickert
Cover of the book Historisches Lernen im Sachunterricht der Grundschule - Ziele, Methoden, Perspektiven by Matthias Dickert
Cover of the book Turning the Table or Turning the Trick by Matthias Dickert
Cover of the book Der Gesetzgebungsprozess im internationalen Vergleich Dänemark - Schweden by Matthias Dickert
Cover of the book Entwicklung der Hydrotherapie by Matthias Dickert
Cover of the book Theoretische Schwächen der deliberativen Demokratietheorie by Matthias Dickert
Cover of the book Hat Integration kulturelle Grenzen? - Am Beispiel der türkischen Migranten in Deutschland by Matthias Dickert
Cover of the book Tickets: Preise und Weiterverkauf by Matthias Dickert
Cover of the book Die Geschichte des Museums - Ursprünge im 19. Jahrhundert by Matthias Dickert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy