The Concept of Evil in William Golding

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Concept of Evil in William Golding by Katrin Annegarn, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Katrin Annegarn ISBN: 9783638600088
Publisher: GRIN Publishing Publication: January 25, 2007
Imprint: GRIN Publishing Language: English
Author: Katrin Annegarn
ISBN: 9783638600088
Publisher: GRIN Publishing
Publication: January 25, 2007
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Paderborn (Anglistik), 17 entries in the bibliography, language: English, abstract: As the motif of evil is the central theme in William Golding's work, I will consider in my term paper his definition of evil and its realization in his first two novelsLord of the Flies(1954) andThe Inheritors(1955). How did he under-stand this complex but central motif of human life and religion? Is there a general position towards evil that can be recognized in his work? Did he consider human beings as generally evil or generally good? - Thinking about the idea of 'evil', many questions arise. Trying to answer some of them, I will concentrate mainly on the book we talk about in class,The Inheritors,his second and - as he himself said - favourite novel. In summary,The Inheritorsdeals with evolution and the development of human beings. On the example of a Neanderthal group, Golding depicts the conflict between the Neanderthalers and the 'New Men'2,homo sapiens,which finally ends in the death of the Neanderthalers and the victory of the superiorhomo sapiens.But arehomo sapiensreally superior to the Neanderthalers? What is Golding's position? In a further step, I will examine Golding's first and most famous novel,Lord of the Flies(1954), for the idea of evil. Is the attitude he gives inThe In-heritorsthe same as inLord of the Flies?Or did his view change after the first novel? As a summary, I would like to give a final conclusion of Golding's un-derstanding of his central motif 'evil' and consider perspectives for further examinations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Paderborn (Anglistik), 17 entries in the bibliography, language: English, abstract: As the motif of evil is the central theme in William Golding's work, I will consider in my term paper his definition of evil and its realization in his first two novelsLord of the Flies(1954) andThe Inheritors(1955). How did he under-stand this complex but central motif of human life and religion? Is there a general position towards evil that can be recognized in his work? Did he consider human beings as generally evil or generally good? - Thinking about the idea of 'evil', many questions arise. Trying to answer some of them, I will concentrate mainly on the book we talk about in class,The Inheritors,his second and - as he himself said - favourite novel. In summary,The Inheritorsdeals with evolution and the development of human beings. On the example of a Neanderthal group, Golding depicts the conflict between the Neanderthalers and the 'New Men'2,homo sapiens,which finally ends in the death of the Neanderthalers and the victory of the superiorhomo sapiens.But arehomo sapiensreally superior to the Neanderthalers? What is Golding's position? In a further step, I will examine Golding's first and most famous novel,Lord of the Flies(1954), for the idea of evil. Is the attitude he gives inThe In-heritorsthe same as inLord of the Flies?Or did his view change after the first novel? As a summary, I would like to give a final conclusion of Golding's un-derstanding of his central motif 'evil' and consider perspectives for further examinations.

More books from GRIN Publishing

Cover of the book AOL-Time Warner - The end of democracy? by Katrin Annegarn
Cover of the book The performance of private equity by Katrin Annegarn
Cover of the book Adolescence. The physical, cognitive, social, personality, moral, and faith development of adolescence by Katrin Annegarn
Cover of the book The founding of the first colonies by Katrin Annegarn
Cover of the book Combating Terrorism with Economic Means by Katrin Annegarn
Cover of the book Fashioning Gender in Texts from Joseph Addison's Spectator by Katrin Annegarn
Cover of the book Treatments for BPD (Borderline Personality Disorder). An Annotated Bibliography by Katrin Annegarn
Cover of the book International Political Economy: Susan Strange by Katrin Annegarn
Cover of the book About: Kazuo Ishiguro: The Remains of the Day by Katrin Annegarn
Cover of the book Backward innovation - An opportunity to extend product life cycles on a global basis? by Katrin Annegarn
Cover of the book The Evolution of the Social Contract by Brian Skymrs by Katrin Annegarn
Cover of the book Rhetorica movet! by Katrin Annegarn
Cover of the book IKEA. Success and Problems of a Swedish Concept by Katrin Annegarn
Cover of the book Does the Latest German Anti-Smoking Law Affect the Restaurant Behaviour of the Berlin People? by Katrin Annegarn
Cover of the book William Shakespeare - Much Ado about Nothing by Katrin Annegarn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy