An Analysis of German Expressionism in Relation to the Emerging Hollywood Style

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book An Analysis of German Expressionism in Relation to the Emerging Hollywood Style by Julia Deitermann, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Deitermann ISBN: 9783638546256
Publisher: GRIN Verlag Publication: September 18, 2006
Imprint: GRIN Verlag Language: English
Author: Julia Deitermann
ISBN: 9783638546256
Publisher: GRIN Verlag
Publication: September 18, 2006
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2004 in the subject Film Science, grade: A, San Diego State University, course: Film History & Aesthetics, 2 entries in the bibliography, language: English, abstract: In the first twenty years of film history, Hollywood had already conquered large parts of the world through the creation of artistic silent films. While American filmmakers, such as D. W. Griffith, focused on montage, continuity, and coherence as a means of narrating a story, thus making the narration more comprehensible and the characters more reliable, German filmmakers predominantly emphasized the mise-en-scène of the film when they created a new genre - the Expressionist film. In general, Expressionism is a term used for the distorted representation of reality which attempts to reveal an inner vision of the soul that is shaped by fear and wonder at the same time. The rise of German Expressionism after World War I can be traced back to a number of reasons. First of all, society was shattered by years of war and the rapid changes that had taken place in the last decade. The political system of the monarchy was abolished to pave the way for a parliamentary democracy. However, the Weimar Republic was politically instable, a revolution was put down and economy was not flourishing. The cultural movement of Expressionism represented all the changes in society, among them industrialization, the boom of radio and film, and Einstein's and Freud's revolutionary approaches to the world; all of which provoked the need of a new representation of reality. Moreover, people not only longed for entertainment and distraction in this insecure new world, but also did they inherit a new sense of 'intellectual liberation' after censorship was ended and women were allowed to vote. Furthermore, the German film industry lacked film imports from other countries and decided to become involved in international film business itself, thus creating the large film company Ufa (Universum Film AG) that still exists today. Ufa produced films of various genres, but the most popular and influential in the world was to become the Expressionist film. Expressionism insofar forms a sharp contrast to Impressionism and Naturalism, as it does not attempt to depict momentary impressions of the world, nor does it aim at presenting the physical world as it is. On the contrary, it portrays an interpreted psychological and spiritual reality, thus revealing the underlying essence and meaning of things. As a result, reality can be seen as a creation of the mind, which calls for the viewer's interpretation. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2004 in the subject Film Science, grade: A, San Diego State University, course: Film History & Aesthetics, 2 entries in the bibliography, language: English, abstract: In the first twenty years of film history, Hollywood had already conquered large parts of the world through the creation of artistic silent films. While American filmmakers, such as D. W. Griffith, focused on montage, continuity, and coherence as a means of narrating a story, thus making the narration more comprehensible and the characters more reliable, German filmmakers predominantly emphasized the mise-en-scène of the film when they created a new genre - the Expressionist film. In general, Expressionism is a term used for the distorted representation of reality which attempts to reveal an inner vision of the soul that is shaped by fear and wonder at the same time. The rise of German Expressionism after World War I can be traced back to a number of reasons. First of all, society was shattered by years of war and the rapid changes that had taken place in the last decade. The political system of the monarchy was abolished to pave the way for a parliamentary democracy. However, the Weimar Republic was politically instable, a revolution was put down and economy was not flourishing. The cultural movement of Expressionism represented all the changes in society, among them industrialization, the boom of radio and film, and Einstein's and Freud's revolutionary approaches to the world; all of which provoked the need of a new representation of reality. Moreover, people not only longed for entertainment and distraction in this insecure new world, but also did they inherit a new sense of 'intellectual liberation' after censorship was ended and women were allowed to vote. Furthermore, the German film industry lacked film imports from other countries and decided to become involved in international film business itself, thus creating the large film company Ufa (Universum Film AG) that still exists today. Ufa produced films of various genres, but the most popular and influential in the world was to become the Expressionist film. Expressionism insofar forms a sharp contrast to Impressionism and Naturalism, as it does not attempt to depict momentary impressions of the world, nor does it aim at presenting the physical world as it is. On the contrary, it portrays an interpreted psychological and spiritual reality, thus revealing the underlying essence and meaning of things. As a result, reality can be seen as a creation of the mind, which calls for the viewer's interpretation. [...]

More books from GRIN Verlag

Cover of the book Vergleichende Analyse einer an Jahresabschlussinformationen orientierten Unternehmensbewertung nach HGB und IFRS by Julia Deitermann
Cover of the book Emil Brunners Lehre von der Sünde by Julia Deitermann
Cover of the book Philosophie in der Oberstufe by Julia Deitermann
Cover of the book Ein Versuch zur effizienten Allokation von Verteidigungsressourcen: Das PPBS in der amerikanischen Verteidigungsplanung by Julia Deitermann
Cover of the book Exegese zum 'Vater Unser' (Mt) by Julia Deitermann
Cover of the book Fußball in Island by Julia Deitermann
Cover of the book Ausschreibungen von Massenanfragen gewinnen by Julia Deitermann
Cover of the book Skillmanagement. Wie bildet man Kompetenzen in Unternehmen ab? by Julia Deitermann
Cover of the book Zur Notwendigkeit von Schulsozialarbeit an Hauptschulen by Julia Deitermann
Cover of the book Beschwerdemanagement als Instrument des CRM by Julia Deitermann
Cover of the book Luhmanns Begriff der Weltgesellschaft by Julia Deitermann
Cover of the book Rolle der politischen PR by Julia Deitermann
Cover of the book Der Kunde oder Patient im deutschen Gesundheitswesen: ein mündiger Verbraucher? by Julia Deitermann
Cover of the book Das Atlasgebirge by Julia Deitermann
Cover of the book Die Beeinflussung des Lernerfolgs durch die Gestaltung des Raums - speziell des Klassenzimmers by Julia Deitermann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy