Zanele Muholi is not a Third World Lesbian. Exhibiting a South African Queer Artist in Germany

Nonfiction, Social & Cultural Studies, Political Science, International, International Relations
Cover of the book Zanele Muholi is not a Third World Lesbian. Exhibiting a South African Queer Artist in Germany by Anika Fuchs, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anika Fuchs ISBN: 9783668049932
Publisher: GRIN Verlag Publication: September 18, 2015
Imprint: GRIN Verlag Language: English
Author: Anika Fuchs
ISBN: 9783668049932
Publisher: GRIN Verlag
Publication: September 18, 2015
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2015 in the subject Politics - International Politics - Region: Africa, grade: 1.0, Free University of Berlin (Otto-Suhr-Institut), course: Issues of postcolonial transformation in Africa, language: English, abstract: This paper outlines a museum exhibition of selected photographs by the South African Queer artist Zanele Muholi. My aim for this exhibition is on the one hand to make South African Queers visible, and on the other hand to challenge mainstream Western (and racist) notions of gender in an African society. In addition to this, I want to question whether it is possible to display such photographs in a museum without reproducing the colonial gaze.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2015 in the subject Politics - International Politics - Region: Africa, grade: 1.0, Free University of Berlin (Otto-Suhr-Institut), course: Issues of postcolonial transformation in Africa, language: English, abstract: This paper outlines a museum exhibition of selected photographs by the South African Queer artist Zanele Muholi. My aim for this exhibition is on the one hand to make South African Queers visible, and on the other hand to challenge mainstream Western (and racist) notions of gender in an African society. In addition to this, I want to question whether it is possible to display such photographs in a museum without reproducing the colonial gaze.

More books from GRIN Verlag

Cover of the book Der Dispositionsbegriff bei Ryle by Anika Fuchs
Cover of the book Der dritte Weg und die Parteiendifferenzthese in Wohlfahrtsstaaten by Anika Fuchs
Cover of the book Sighard Neckels Stadtmarathon by Anika Fuchs
Cover of the book Die Bindung Isaaks. Unterrichtsentwurf für eine zwölfte Klasse by Anika Fuchs
Cover of the book Diversity Management. Das familienfreundliche Krankenhaus by Anika Fuchs
Cover of the book Die Iden des März- Hintergründe und Täter by Anika Fuchs
Cover of the book Lewwer duad üs Slaaw by Anika Fuchs
Cover of the book Neuronale Grundlagen von Schmerzen by Anika Fuchs
Cover of the book A Close Reading of Margaret Cavendish's 'The Contract' and an Analysis of its Narrative Strategies and Structures by Anika Fuchs
Cover of the book Wer vermeidet warum welche Themen - Angst und Methode in den Sozialwissenschaften. Der Beitrag der Tiefenpsychologie by Anika Fuchs
Cover of the book Betriebliche Mitarbeitervorsorge gem. BMVG - insbesondere steuerliche Behandlung by Anika Fuchs
Cover of the book Einsatz von Optimized Production Technology (OPT), Constant Work in Process (CONWIP) und Retrograde Terminierung (RT) in der Industrie by Anika Fuchs
Cover of the book Erkrankungen mit Auswirkungen auf den Beruf by Anika Fuchs
Cover of the book Der Status des Praktikanten im Arbeits- und Sozialversicherungsrecht by Anika Fuchs
Cover of the book Das evangelische Pfarrhaus - ein Haus zwischen Himmel und Erde by Anika Fuchs
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy