The Supersensible in Kants «Critique of Judgment»

Nonfiction, Art & Architecture, General Art, Colour, Religion & Spirituality, Philosophy, Aesthetics
Cover of the book The Supersensible in Kants «Critique of Judgment» by Julie N. Books, Peter Lang
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Author: Julie N. Books ISBN: 9781454199366
Publisher: Peter Lang Publication: December 11, 2015
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Julie N. Books
ISBN: 9781454199366
Publisher: Peter Lang
Publication: December 11, 2015
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

In this close analysis of Immanuel Kant’s aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.

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In this close analysis of Immanuel Kant’s aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.

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