Sex, Drugs & Rock n Roll

The Evolution of an American Youth Culture

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, History, Americas, United States, 20th Century
Cover of the book Sex, Drugs & Rock n Roll by Douglas Brode, Peter Lang
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Author: Douglas Brode ISBN: 9781454192152
Publisher: Peter Lang Publication: November 1, 2014
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Douglas Brode
ISBN: 9781454192152
Publisher: Peter Lang
Publication: November 1, 2014
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

Sex, Drugs, & Rock ‘n’ Roll analyzes the cultural, political, and social revolution that took place in the U.S. (and in time the world) after World War II, crystalizing between 1955 and 1970. During this era, the concept of the American teenager first came into being, significantly altering the relationship between young people and adults.
As the entertainment industries came to realize that a youth market existed, providers of music and movies began to create products specifically for them. While Big Beat music and exploitation films may have initially been targeted for a marginalized audience, during the following decade and a half, such offerings gradually become mainstream, even as the first generation of American teenagers came of age. As a result the so-called youth culture overtook and consumed the primary American culture, as records and films once considered revolutionary transformed into a nostalgia movement, and much of what had been thought of as radical came to be perceived as conservative in a drastically altered social context.
In this book Douglas Brode offers the first full analysis of how an American youth culture evolved.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sex, Drugs, & Rock ‘n’ Roll analyzes the cultural, political, and social revolution that took place in the U.S. (and in time the world) after World War II, crystalizing between 1955 and 1970. During this era, the concept of the American teenager first came into being, significantly altering the relationship between young people and adults.
As the entertainment industries came to realize that a youth market existed, providers of music and movies began to create products specifically for them. While Big Beat music and exploitation films may have initially been targeted for a marginalized audience, during the following decade and a half, such offerings gradually become mainstream, even as the first generation of American teenagers came of age. As a result the so-called youth culture overtook and consumed the primary American culture, as records and films once considered revolutionary transformed into a nostalgia movement, and much of what had been thought of as radical came to be perceived as conservative in a drastically altered social context.
In this book Douglas Brode offers the first full analysis of how an American youth culture evolved.

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