Deception and villainy in Shakespeare's 'Much ado about nothing'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Deception and villainy in Shakespeare's 'Much ado about nothing' by Nadine Richters, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nadine Richters ISBN: 9783640140787
Publisher: GRIN Publishing Publication: August 19, 2008
Imprint: GRIN Publishing Language: English
Author: Nadine Richters
ISBN: 9783640140787
Publisher: GRIN Publishing
Publication: August 19, 2008
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Hamburg (IAA), course: Literaturseminar: William Shakespeare: 'Much ado about nothing' , 16 entries in the bibliography, language: English, abstract: Deception and the exploitation of the characters' credulousness are leitmotifs within Shakespeare's play 'Much ado about nothing'. central theme in the play is trickery or deceit, whether for good or evil purposes. However, the people being deceived are not as unintelligent as one might think at first perception. Most of them have a high social rank and this usually implies that people have access to higher education. This is proved by the character's high command of rhetoric stylistic devices, their expression and the way they phrase their thoughts and feelings. Even Don Pedro, who generally seems to be above everything, can be easily deceived by his bastard brother Don John. The recipient notices this in scene 3.2 when Don John makes them believe that Margret is Hero who has premarital sexual intercourse and thus is infidelous towards Claudio. There are three important forms of deception within the play of which I will inform you in section 2.. Furthermore I will state Don John's character traits, define the villain's function, name his intrigues and how they perfectly work. In the last section I try to explain the reason why it is apparently easy to deceive the fundamentally intelligent characters. On the whole, Shakespeare shows the characters' dealing between appearance and reality and deception and self-deception. Nearly every character of the play is involved in a deception and has to learn to distinguish appearance from reality. Paradoxically, even the most intelligent characters are not excluded. Schabert characterises the appearance and reality theme as follows:

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Hamburg (IAA), course: Literaturseminar: William Shakespeare: 'Much ado about nothing' , 16 entries in the bibliography, language: English, abstract: Deception and the exploitation of the characters' credulousness are leitmotifs within Shakespeare's play 'Much ado about nothing'. central theme in the play is trickery or deceit, whether for good or evil purposes. However, the people being deceived are not as unintelligent as one might think at first perception. Most of them have a high social rank and this usually implies that people have access to higher education. This is proved by the character's high command of rhetoric stylistic devices, their expression and the way they phrase their thoughts and feelings. Even Don Pedro, who generally seems to be above everything, can be easily deceived by his bastard brother Don John. The recipient notices this in scene 3.2 when Don John makes them believe that Margret is Hero who has premarital sexual intercourse and thus is infidelous towards Claudio. There are three important forms of deception within the play of which I will inform you in section 2.. Furthermore I will state Don John's character traits, define the villain's function, name his intrigues and how they perfectly work. In the last section I try to explain the reason why it is apparently easy to deceive the fundamentally intelligent characters. On the whole, Shakespeare shows the characters' dealing between appearance and reality and deception and self-deception. Nearly every character of the play is involved in a deception and has to learn to distinguish appearance from reality. Paradoxically, even the most intelligent characters are not excluded. Schabert characterises the appearance and reality theme as follows:

More books from GRIN Publishing

Cover of the book The Trials of Oscar Wilde by Nadine Richters
Cover of the book Neuromarketing in Sports by Nadine Richters
Cover of the book Which one of the following transitional justice mechanisms would be most effective in addressing past human rights abuses in Afghanistan? by Nadine Richters
Cover of the book The Middle East Conflict in The Guardian and The New York Times by Nadine Richters
Cover of the book Critique for the Open Source Development Model by Nadine Richters
Cover of the book How to Reach Minimum Delay Times in Networked Collaborative Musical Performances by Nadine Richters
Cover of the book Konzernsteuerquote: Eine kritische Würdigung by Nadine Richters
Cover of the book Religion in Diaspora - The Functions of Hindu Congregationalism in the United States of America by Nadine Richters
Cover of the book The Easter Rising and its Political Consequences by Nadine Richters
Cover of the book Stadtmarketing als integrierter Ansatz der Stadtentwicklungspolitik by Nadine Richters
Cover of the book Downtown Dealership - An Effective Marketing Mix by Nadine Richters
Cover of the book Values - A Cultural Axiomatic by Nadine Richters
Cover of the book Concepts of Time in Virginia Woolf by Nadine Richters
Cover of the book Invented Case - Bovine Co v Slurry Co - Law Coursework - Consultation Essay by Nadine Richters
Cover of the book Impacts of Tourism - An assignment about the development of tourism in Majorca by Nadine Richters
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy