The Provocation of the Senses in Contemporary Theatre

Nonfiction, Health & Well Being, Psychology, Cognitive Psychology, Entertainment, Theatre, Performing Arts
Cover of the book The Provocation of the Senses in Contemporary Theatre by Stephen Di Benedetto, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Di Benedetto ISBN: 9781136974083
Publisher: Taylor and Francis Publication: January 13, 2011
Imprint: Routledge Language: English
Author: Stephen Di Benedetto
ISBN: 9781136974083
Publisher: Taylor and Francis
Publication: January 13, 2011
Imprint: Routledge
Language: English

Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.

More books from Taylor and Francis

Cover of the book Biography by Stephen Di Benedetto
Cover of the book Analyzing Global Environmental Issues by Stephen Di Benedetto
Cover of the book Naming Race, Naming Racisms by Stephen Di Benedetto
Cover of the book Freud (RLE: Freud) by Stephen Di Benedetto
Cover of the book Women, Peace and Security in Nepal by Stephen Di Benedetto
Cover of the book For Anarchism (RLE Anarchy) by Stephen Di Benedetto
Cover of the book Resource and Environmental Effects of U.S. Agriculture by Stephen Di Benedetto
Cover of the book Advertising as Communication by Stephen Di Benedetto
Cover of the book Strategic Sustainable Procurement by Stephen Di Benedetto
Cover of the book Pan-African Issues in Drugs and Drug Control by Stephen Di Benedetto
Cover of the book Antisocial Behavior and Mental Health Problems by Stephen Di Benedetto
Cover of the book Supporting Children and Young People with Anxiety by Stephen Di Benedetto
Cover of the book The Poetics of the Kunstlerinroman and the Aesthetics of the Sublime by Stephen Di Benedetto
Cover of the book Success with Inclusion by Stephen Di Benedetto
Cover of the book Handbook of Emerging Economies by Stephen Di Benedetto
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy