The Provocation of the Senses in Contemporary Theatre

Nonfiction, Health & Well Being, Psychology, Cognitive Psychology, Entertainment, Theatre, Performing Arts
Cover of the book The Provocation of the Senses in Contemporary Theatre by Stephen Di Benedetto, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Di Benedetto ISBN: 9781136974083
Publisher: Taylor and Francis Publication: January 13, 2011
Imprint: Routledge Language: English
Author: Stephen Di Benedetto
ISBN: 9781136974083
Publisher: Taylor and Francis
Publication: January 13, 2011
Imprint: Routledge
Language: English

Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.

More books from Taylor and Francis

Cover of the book The New Pacific Community in the 1990s by Stephen Di Benedetto
Cover of the book Iran by Stephen Di Benedetto
Cover of the book The Secondary PSHE Co-ordinator's Handbook by Stephen Di Benedetto
Cover of the book The Routledge Companion to Social Media and Politics by Stephen Di Benedetto
Cover of the book Translating India by Stephen Di Benedetto
Cover of the book Cognitive Psychology Applied by Stephen Di Benedetto
Cover of the book Marx and the End of Orientalism (Routledge Revivals) by Stephen Di Benedetto
Cover of the book China's Military Faces the Future by Stephen Di Benedetto
Cover of the book Vygotsky's Developmental and Educational Psychology by Stephen Di Benedetto
Cover of the book Outreach and Care Approaches to HIV/AIDS Along the US-Mexico Border by Stephen Di Benedetto
Cover of the book Carrots, Sticks and Sermons by Stephen Di Benedetto
Cover of the book Transcultural Architecture by Stephen Di Benedetto
Cover of the book Art in the Time of Colony by Stephen Di Benedetto
Cover of the book Translating Frantz Fanon Across Continents and Languages by Stephen Di Benedetto
Cover of the book Kant's Inferentialism by Stephen Di Benedetto
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy