Teaching Poetry in the EFL Classroom. A Multimodal Lesson with an interactive Whiteboard

A Lesson Project

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Teaching Poetry in the EFL Classroom. A Multimodal Lesson with an interactive Whiteboard by Markus Emerson, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Markus Emerson ISBN: 9783668103696
Publisher: GRIN Verlag Publication: December 7, 2015
Imprint: GRIN Verlag Language: English
Author: Markus Emerson
ISBN: 9783668103696
Publisher: GRIN Verlag
Publication: December 7, 2015
Imprint: GRIN Verlag
Language: English

Project Report from the year 2012 in the subject American Studies - Culture and Applied Geography, grade: 1, TU Dortmund (American Studies), course: Cultural and Media Studies, language: English, abstract: The thesis for our project was the following: Using the Whiteboard (WB) in a poetry lesson in the English Foreign Language classroom can enrich the teaching and learning experience and therefore foster a positive learning climate where different learner types are addressed. We tried to create a ninety-minute seminar session, which, firstly, proves our thesis, and, secondly, motivate you to take a closer look at the opportunities that the WB offers for teachers. Thus, we chose a variety of four different sessions that featured various usages of the WB in an entertaining but academic way and should raise awareness of possible and new ways to use the WB as well as to inspire students (who will themselves be teachers one day) for the future. Hence, we tried to incorporate various forms of WB usage to show how it can transcend usual PowerPoint presentations and add more media. As far as the content of the session is concerned, we focused on poetry (creative aspects as well as analytical tasks) as poetry is a form of writing that can be produced and received in various different and individual ways due to its nature. Feelings and ideas can be expressed freely and creatively. As poems are usually in a condensed and short format, connected activities like producing, reading or interpreting them can all be done in the classroom. The individual and creative aspect motivates pupils and can support a very personal access to this format of writing. Combining poetry and WB can lead to a new poetry teaching experience. According to Fleming, pupils' ideas about poetry will inevitably be formed by the extent and variety of their reading; in fact, as suggested earlier, confusion is likely to arise if poetry is introduced into the classroom only at infrequent intervals (40). Employing the WB offers the chance to have a greater variety of readings and understandings through different channels and input (visual, audio-visual, video). That the WB combines different media also makes it easier to discuss intermedial/intermodal forms of poetry. This is also supported by Shenton and Pagett's research on the WB in classrooms. They conclude that WBs have 'great potential for motivating and engaging pupils in sophisticated forms of multimodality' (135). Furthermore, the frequency of dealing with poetry can be raised. It is much quicker to analyse a poem, save the changes, connect to the internet and be interactive with the WB. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Project Report from the year 2012 in the subject American Studies - Culture and Applied Geography, grade: 1, TU Dortmund (American Studies), course: Cultural and Media Studies, language: English, abstract: The thesis for our project was the following: Using the Whiteboard (WB) in a poetry lesson in the English Foreign Language classroom can enrich the teaching and learning experience and therefore foster a positive learning climate where different learner types are addressed. We tried to create a ninety-minute seminar session, which, firstly, proves our thesis, and, secondly, motivate you to take a closer look at the opportunities that the WB offers for teachers. Thus, we chose a variety of four different sessions that featured various usages of the WB in an entertaining but academic way and should raise awareness of possible and new ways to use the WB as well as to inspire students (who will themselves be teachers one day) for the future. Hence, we tried to incorporate various forms of WB usage to show how it can transcend usual PowerPoint presentations and add more media. As far as the content of the session is concerned, we focused on poetry (creative aspects as well as analytical tasks) as poetry is a form of writing that can be produced and received in various different and individual ways due to its nature. Feelings and ideas can be expressed freely and creatively. As poems are usually in a condensed and short format, connected activities like producing, reading or interpreting them can all be done in the classroom. The individual and creative aspect motivates pupils and can support a very personal access to this format of writing. Combining poetry and WB can lead to a new poetry teaching experience. According to Fleming, pupils' ideas about poetry will inevitably be formed by the extent and variety of their reading; in fact, as suggested earlier, confusion is likely to arise if poetry is introduced into the classroom only at infrequent intervals (40). Employing the WB offers the chance to have a greater variety of readings and understandings through different channels and input (visual, audio-visual, video). That the WB combines different media also makes it easier to discuss intermedial/intermodal forms of poetry. This is also supported by Shenton and Pagett's research on the WB in classrooms. They conclude that WBs have 'great potential for motivating and engaging pupils in sophisticated forms of multimodality' (135). Furthermore, the frequency of dealing with poetry can be raised. It is much quicker to analyse a poem, save the changes, connect to the internet and be interactive with the WB. [...]

More books from GRIN Verlag

Cover of the book Psychodrama - ein Rollenwechsel by Markus Emerson
Cover of the book Das Gleichnis vom Sämann - Eine Exegese zu Lk 8,4-15 by Markus Emerson
Cover of the book Die Studentenbewegung und die Medien by Markus Emerson
Cover of the book Johan Huizingas kulturanthropologische Theorie des Spielens by Markus Emerson
Cover of the book Erstellen einer Weichlotverbindung an Kupferrohr (Unterweisung Anlagenmechaniker / -in für Sanitär-, Heizungs- und Klimatechnik) by Markus Emerson
Cover of the book Kritische Analyse des Urteils des Bundesverfassungsgerichts vom 17.12.2014 zur Erbschaftsteuerbegünstigung nach §§ 13a, 13b ErbStG by Markus Emerson
Cover of the book Ansätze den Bilanzskandalen und Versäumnissen der Prüfer entgegenzuwirken - Prüfungstheoretische und rechtliche Perspektive by Markus Emerson
Cover of the book Risikomanagement im Bankensektor by Markus Emerson
Cover of the book Von der Wahnarbeit zum Wahnsystem: Pu?kins 'Pique Dame' und Sologubs 'Melkij bes' by Markus Emerson
Cover of the book Der 'Gender Wage Gap' in ehemaligen sowjetischen Ländern. Zum geschlechtsspezifischen Lohngefälle in Deutschland und Russland by Markus Emerson
Cover of the book Die Wahrheit als Entscheidungsprozess by Markus Emerson
Cover of the book Politics under Margaret Thatcher by Markus Emerson
Cover of the book Optimism as a personal resource for coping in demanding situations by Markus Emerson
Cover of the book 'Allein irre ich in der großen Stadt umher'. Albert Ehrenstein und Karl Tubutsch by Markus Emerson
Cover of the book Erneuerung der Demokratie by Markus Emerson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy