Seurat: Drawings 90 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art, Art Technique, Drawing
Cover of the book Seurat: Drawings 90 Colour Plates by Maria Peitcheva, Maria Peitcheva
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Author: Maria Peitcheva ISBN: 9788892547278
Publisher: Maria Peitcheva Publication: January 20, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892547278
Publisher: Maria Peitcheva
Publication: January 20, 2016
Imprint:
Language: English

An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. Seurat studied avant-garde painting techniques, especially Impressionism and the latest scientific theories pertaining to light and color. From 1885 to 1886 he developed the divisionist depicting. This new style, which consisted of systematically applied small touches of un-modulated color, was based on contemporary optical theories of color relationships. For several of his large compositions, Seurat painted many small studies. For his study drawings hee used black Conté crayon to create gradations of tone on the textured paper, achieving effects akin to those in his pointillist paintings, in which he juxtaposed dots of pure colors that blended optically to produce another color.

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An important Post-Impressionist French painter, Georges Seurat moved away from the apparent spontaneity and rapidity of Impressionism and developed a structured, more monumental art to depict modern urban life. Seurat studied avant-garde painting techniques, especially Impressionism and the latest scientific theories pertaining to light and color. From 1885 to 1886 he developed the divisionist depicting. This new style, which consisted of systematically applied small touches of un-modulated color, was based on contemporary optical theories of color relationships. For several of his large compositions, Seurat painted many small studies. For his study drawings hee used black Conté crayon to create gradations of tone on the textured paper, achieving effects akin to those in his pointillist paintings, in which he juxtaposed dots of pure colors that blended optically to produce another color.

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