Paul Cezanne: 235 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Paul Cezanne: 235 Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892566675
Publisher: Maria Peitcheva Publication: March 11, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892566675
Publisher: Maria Peitcheva
Publication: March 11, 2016
Imprint:
Language: English

Paul Cézanne was the leading figure in the revolution toward abstraction in modern painting. His influence on the course of modern art, particularly on the development of cubism, is enormous and deep. In his early career, he was strongly influenced by Delacroix and Courbet. Through Pissarro, Cezanne came to know Manet and the Impressionist painters. He exhibited with the Impressionists in 1874, but eventually rejected what he considered the Impressionists' lack of structure. Cezanne sought to "recreate nature" by simplifying forms to their basic geometric equivalents, utilizing contrasts of colour and considerable distortion to express the essence of landscape, still-lifes, and figural groupings. Instead of adhering to the traditional focalized system of perspective, he portrayed objects from shifting viewpoints. Cezanne worked in oil, watercolour, and drawing media, often making several versions of his works.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Paul Cézanne was the leading figure in the revolution toward abstraction in modern painting. His influence on the course of modern art, particularly on the development of cubism, is enormous and deep. In his early career, he was strongly influenced by Delacroix and Courbet. Through Pissarro, Cezanne came to know Manet and the Impressionist painters. He exhibited with the Impressionists in 1874, but eventually rejected what he considered the Impressionists' lack of structure. Cezanne sought to "recreate nature" by simplifying forms to their basic geometric equivalents, utilizing contrasts of colour and considerable distortion to express the essence of landscape, still-lifes, and figural groupings. Instead of adhering to the traditional focalized system of perspective, he portrayed objects from shifting viewpoints. Cezanne worked in oil, watercolour, and drawing media, often making several versions of his works.

More books from Maria Peitcheva

Cover of the book Rubens: Drawings 140 Colour Plates by Maria Peitcheva
Cover of the book Durer: Drawings Colour Plates by Maria Peitcheva
Cover of the book Repin: Drawings Colour Plates by Maria Peitcheva
Cover of the book Gericault: 178 Colour Plates by Maria Peitcheva
Cover of the book Konstantin Somov Drawings: Colour Plates by Maria Peitcheva
Cover of the book Charles Demuth: Drawings Colour Plates by Maria Peitcheva
Cover of the book Parmigianino: Drawings Colour Plates by Maria Peitcheva
Cover of the book Odilon Redon: 197 Colour Plates by Maria Peitcheva
Cover of the book Rembrandt: 272 Colour Plates by Maria Peitcheva
Cover of the book Modigliani: Drawings 102 Colour Plates by Maria Peitcheva
Cover of the book Edouard Manet: 225 Colour Plates by Maria Peitcheva
Cover of the book Henry Fuseli: Drawings 136 Colour Plates by Maria Peitcheva
Cover of the book Constable: Drawings 123 Colour Plates by Maria Peitcheva
Cover of the book Repin: 190 Colour Plates by Maria Peitcheva
Cover of the book Mikhail Vrubel: 170 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy