Gericault: 178 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Gericault: 178 Colour Plates by Maria Peitcheva, Maria Peitcheva
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Author: Maria Peitcheva ISBN: 9788892586253
Publisher: Maria Peitcheva Publication: March 31, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892586253
Publisher: Maria Peitcheva
Publication: March 31, 2016
Imprint:
Language: English

Jean-Louis André Théodore Géricault (1791 – 1824) was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he was one of the pioneers of the Romantic movement.
Géricault's first major work, The Charging Chasseur, exhibited at the Paris Salon of 1812, revealed the influence of the style of Rubens and an interest in the depiction of contemporary subject matter. Géricault continually returned to the military themes of his early paintings, and the series of lithographs he undertook on military subjects are considered some of the earliest masterworks in that medium. Perhaps his most significant, and certainly most ambitious work, is The Raft of the Medusa (1818–1819), which depicted the aftermath of a contemporary French shipwreck, Meduse, in which the captain had left the crew and passengers to die.

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Jean-Louis André Théodore Géricault (1791 – 1824) was an influential French painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he was one of the pioneers of the Romantic movement.
Géricault's first major work, The Charging Chasseur, exhibited at the Paris Salon of 1812, revealed the influence of the style of Rubens and an interest in the depiction of contemporary subject matter. Géricault continually returned to the military themes of his early paintings, and the series of lithographs he undertook on military subjects are considered some of the earliest masterworks in that medium. Perhaps his most significant, and certainly most ambitious work, is The Raft of the Medusa (1818–1819), which depicted the aftermath of a contemporary French shipwreck, Meduse, in which the captain had left the crew and passengers to die.

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