Masculinity in American Baseball Films

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Masculinity in American Baseball Films by Uwe Mehlbaum, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Uwe Mehlbaum ISBN: 9783640795017
Publisher: GRIN Publishing Publication: January 7, 2011
Imprint: GRIN Publishing Language: English
Author: Uwe Mehlbaum
ISBN: 9783640795017
Publisher: GRIN Publishing
Publication: January 7, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,7, University of Bayreuth (Nordamerikastudien), course: HS Field of Dreams - Baseball in American Literature and Popular Culture , language: English, abstract: In the United States of the mid-19th century, the game of Baseball became popular to such an extent that it was from then on closely associated with American national culture as such. The 'National Pastime', the 'American Game' or even the 'National Religion' as the sport also soon was called, represented not only American values like teamwork and meritocracy, but also to a certain degree symbolized the expansion, industrialization and the economic boom in the United States of the 19th century. Baseball has therefore been an important topic in many works of American literature and films ever since. Hence, among many other points of view, American baseball fiction has also shaped the perception of American masculinity. The concept of masculinity is important in the academic field of gender studies which came up only as recent as the 1970s. In its first part, this paper is going to explain the concepts of gender and masculinity and the complexity which surrounds them in some detail. Secondly, this paper is going to approach some works of baseball fiction from the 1980s and early 1990s from the gender studies-perspective, namely the films Bull Durham (1988), The Natural (1984), Mr. Baseball (1992) and A League of Their Own (1992). It will try to answer the question what conclusions can be drawn concerning the representation of masculinity in American baseball films of the 1980s and early 1990s.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject American Studies - Culture and Applied Geography, grade: 1,7, University of Bayreuth (Nordamerikastudien), course: HS Field of Dreams - Baseball in American Literature and Popular Culture , language: English, abstract: In the United States of the mid-19th century, the game of Baseball became popular to such an extent that it was from then on closely associated with American national culture as such. The 'National Pastime', the 'American Game' or even the 'National Religion' as the sport also soon was called, represented not only American values like teamwork and meritocracy, but also to a certain degree symbolized the expansion, industrialization and the economic boom in the United States of the 19th century. Baseball has therefore been an important topic in many works of American literature and films ever since. Hence, among many other points of view, American baseball fiction has also shaped the perception of American masculinity. The concept of masculinity is important in the academic field of gender studies which came up only as recent as the 1970s. In its first part, this paper is going to explain the concepts of gender and masculinity and the complexity which surrounds them in some detail. Secondly, this paper is going to approach some works of baseball fiction from the 1980s and early 1990s from the gender studies-perspective, namely the films Bull Durham (1988), The Natural (1984), Mr. Baseball (1992) and A League of Their Own (1992). It will try to answer the question what conclusions can be drawn concerning the representation of masculinity in American baseball films of the 1980s and early 1990s.

More books from GRIN Publishing

Cover of the book Le relativisme et la métaphysique dans le conte philosophique 'Micromégas' de Voltaire by Uwe Mehlbaum
Cover of the book Hijacked Islam - The Influence of Islam on American Foreign Policy by Uwe Mehlbaum
Cover of the book 'Geschmäcker lassen sich nicht globalisieren' by Uwe Mehlbaum
Cover of the book Mass media's influence on everyday speech amongst adolescents: Research findings and perspectives by Uwe Mehlbaum
Cover of the book Managing Change - The TQM Challenge by Uwe Mehlbaum
Cover of the book Abstracts of Marketing PhD Theses: Analysis and Pedagogical Application by Uwe Mehlbaum
Cover of the book Pharmacotherapeutics by Uwe Mehlbaum
Cover of the book Adopting a Strategic Approach within Retail Organisations by Uwe Mehlbaum
Cover of the book Comparison of the Womens Movement in Eastern Germany and the Czech Republic by Uwe Mehlbaum
Cover of the book Das Theater als Mediensystem und Institution by Uwe Mehlbaum
Cover of the book Impaired Language Acquisition by Uwe Mehlbaum
Cover of the book Revenue Recognition-Software - an overview by Uwe Mehlbaum
Cover of the book Symbolism in Andrew Niccols 'Gattaca' by Uwe Mehlbaum
Cover of the book The new global IT value chain - what comes after offshoring by Uwe Mehlbaum
Cover of the book 'Harry Potter and the Philosopher's Stone'. Teaching Literature in the English Classroom by Uwe Mehlbaum
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy