Disney's creative contribution to US-American World War 2 propaganda and its effect on the citizens' attitude towards war

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Disney's creative contribution to US-American World War 2 propaganda and its effect on the citizens' attitude towards war by David Hesse, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David Hesse ISBN: 9783656637554
Publisher: GRIN Publishing Publication: April 14, 2014
Imprint: GRIN Publishing Language: English
Author: David Hesse
ISBN: 9783656637554
Publisher: GRIN Publishing
Publication: April 14, 2014
Imprint: GRIN Publishing
Language: English

Pre-University Paper from the year 2014 in the subject Communications - Movies and Television, grade: 1+, , language: English, abstract: When I was to decide for a topic to be dealt with in my 'Facharbeit', the decision was clear: Including my interest in the history and pop culture of the United States of America, Disney's World War 2 cartoons offer a great potential to be researched intensively as one can find a lot of background knowledge, regarding the history of the Disney studios and the general historical context. Also, there is a broad mass of cartoons to be analyzed and looked at closely. Questioning the justification for family cartoons to be used as propaganda material, I further have a firm opinion. However, in order not to go beyond the scope, I must, unfortunately, leave out several relevant and interesting aspects to the topic and do not make any claims for completeness. In the following, I would like to elucidate my approach towards the issue: To begin with, I focus on general, historical facts about the US-American World War 2 propaganda and Disney's contribution to the war effort, giving basic background information, in order to understand and interpret two war-time cartoons which perfectly exemplify the convincing way most propaganda cartoons worked and appealed to the citizens. Being two of the most popular shorts during World War 2 (one of them even honored with an Oscar) and rather focusing on entertainment, instead of war instructions, both Der Fuehrer's Face and Reason and Emotion are great fun to watch and very suitable for a detailed interpretation. Eventually, I comment on the general justification of those cartoons and sum up my results.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Pre-University Paper from the year 2014 in the subject Communications - Movies and Television, grade: 1+, , language: English, abstract: When I was to decide for a topic to be dealt with in my 'Facharbeit', the decision was clear: Including my interest in the history and pop culture of the United States of America, Disney's World War 2 cartoons offer a great potential to be researched intensively as one can find a lot of background knowledge, regarding the history of the Disney studios and the general historical context. Also, there is a broad mass of cartoons to be analyzed and looked at closely. Questioning the justification for family cartoons to be used as propaganda material, I further have a firm opinion. However, in order not to go beyond the scope, I must, unfortunately, leave out several relevant and interesting aspects to the topic and do not make any claims for completeness. In the following, I would like to elucidate my approach towards the issue: To begin with, I focus on general, historical facts about the US-American World War 2 propaganda and Disney's contribution to the war effort, giving basic background information, in order to understand and interpret two war-time cartoons which perfectly exemplify the convincing way most propaganda cartoons worked and appealed to the citizens. Being two of the most popular shorts during World War 2 (one of them even honored with an Oscar) and rather focusing on entertainment, instead of war instructions, both Der Fuehrer's Face and Reason and Emotion are great fun to watch and very suitable for a detailed interpretation. Eventually, I comment on the general justification of those cartoons and sum up my results.

More books from GRIN Publishing

Cover of the book New Meets Old: Hawthorne's Representation of America and Europe in The Marble Faun by David Hesse
Cover of the book 'Playway-Rainbow'-Edition. An introduction and analysis of teaching material for English as a foreign language at primary level by David Hesse
Cover of the book Was Mau Mau a war for land and freedom? by David Hesse
Cover of the book Das 'Pfahlbürgertum' - Status einer 'doppelten' Rechtsstellung by David Hesse
Cover of the book Illusion and Reality in Eugene O'Neill's 'The Iceman Cometh' and 'Long Day's Journey into Night' by David Hesse
Cover of the book Breaking the Deadlock? Why Unilateral Disengagement Cannot Equal Peace by David Hesse
Cover of the book Canada and the Trans-Pacific Partnership by David Hesse
Cover of the book The role of the people in the two works of Machiavelli: The Prince and The Discourses by David Hesse
Cover of the book Paradox and the human psyche in William Faulkner's 'As I Lay Dying' by David Hesse
Cover of the book Lean Enterprise: Just-in-Time by David Hesse
Cover of the book How to Reach Minimum Delay Times in Networked Collaborative Musical Performances by David Hesse
Cover of the book States are essential elements in the constitution of our freedom. Discuss. by David Hesse
Cover of the book Why Crime Occurs in Society by David Hesse
Cover of the book Symbiotic competitors - the nature of Sino-US relations by David Hesse
Cover of the book Considerations on Green Political Thought - A new, ecological ideology? by David Hesse
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy