Dickens, Family, Authorship

Psychoanalytic Perspectives on Kinship and Creativity

Fiction & Literature, Literary Theory & Criticism
Cover of the book Dickens, Family, Authorship by Lynn Cain, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lynn Cain ISBN: 9781351944410
Publisher: Taylor and Francis Publication: May 15, 2017
Imprint: Routledge Language: English
Author: Lynn Cain
ISBN: 9781351944410
Publisher: Taylor and Francis
Publication: May 15, 2017
Imprint: Routledge
Language: English

Drawing on a wide range of Dickens's writings, including all of his novels and a selection of his letters, journalism, and shorter fiction, Dickens, Family, Authorship provides a provocative account of the evolution of an author from whose psychological honesty and imaginative generosity emerged precocious fictional portents of Freudian and post-Freudian theory. The decade 1843-1853 was pivotal in Dickens's career. A phase of feverish activity on both personal and professional fronts, it included the irrevocable souring of his relations with his parents, the peripatetic residence in continental Europe, and a massive proliferation of writing and editing activities including the aborted autobiography. It was a period of astounding creativity which consolidated Dickens's authorial and financial stature. It was also one tainted by loss: the deaths of his father, sister and daughter, and the alarming desertion of his early facility for composition. Lynn Cain's substantial study of the four novels produced during this turbulent decade - Martin Chuzzlewit, Dombey and Son, David Copperfield and Bleak House - traces the evolution of Dickens's creative imagination to discover in the modulating fictional representation of family relationships a paradigm for his authorial development. Closely argued readings demonstrate a reorientation from a patriarchal to a maternal dynamic which signals a radical shift in Dickens's creative technique. Interweaving critical analysis of the four novels with biography and the linguistic and psychoanalytic writings of modern theorists, especially Kristeva and Lacan, Lynn Cain explores the connection between Dickens's susceptibility to depression during this period and his increasingly self-conscious exploitation of his own mental states in his fiction.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Drawing on a wide range of Dickens's writings, including all of his novels and a selection of his letters, journalism, and shorter fiction, Dickens, Family, Authorship provides a provocative account of the evolution of an author from whose psychological honesty and imaginative generosity emerged precocious fictional portents of Freudian and post-Freudian theory. The decade 1843-1853 was pivotal in Dickens's career. A phase of feverish activity on both personal and professional fronts, it included the irrevocable souring of his relations with his parents, the peripatetic residence in continental Europe, and a massive proliferation of writing and editing activities including the aborted autobiography. It was a period of astounding creativity which consolidated Dickens's authorial and financial stature. It was also one tainted by loss: the deaths of his father, sister and daughter, and the alarming desertion of his early facility for composition. Lynn Cain's substantial study of the four novels produced during this turbulent decade - Martin Chuzzlewit, Dombey and Son, David Copperfield and Bleak House - traces the evolution of Dickens's creative imagination to discover in the modulating fictional representation of family relationships a paradigm for his authorial development. Closely argued readings demonstrate a reorientation from a patriarchal to a maternal dynamic which signals a radical shift in Dickens's creative technique. Interweaving critical analysis of the four novels with biography and the linguistic and psychoanalytic writings of modern theorists, especially Kristeva and Lacan, Lynn Cain explores the connection between Dickens's susceptibility to depression during this period and his increasingly self-conscious exploitation of his own mental states in his fiction.

More books from Taylor and Francis

Cover of the book Maintaining Relationships Through Communication by Lynn Cain
Cover of the book The Art Of Drama Teaching by Lynn Cain
Cover of the book Google and the Culture of Search by Lynn Cain
Cover of the book Understanding Religion and Popular Culture by Lynn Cain
Cover of the book Global Reformations by Lynn Cain
Cover of the book The Second Sophistic by Lynn Cain
Cover of the book Family & Social Change Ils 127 by Lynn Cain
Cover of the book Environment, Development, Agriculture: Integrated Policy through Human Ecology by Lynn Cain
Cover of the book The Artisans and Entrepreneurs of Dongyang County: Economic Reform and Flexible Production in China by Lynn Cain
Cover of the book Assessment in Physical Education by Lynn Cain
Cover of the book Sleep and Society by Lynn Cain
Cover of the book Samuel Barber by Lynn Cain
Cover of the book Controversial Therapies for Autism and Intellectual Disabilities by Lynn Cain
Cover of the book Reshaping the Chinese Military by Lynn Cain
Cover of the book Reluctant Managers (Routledge Revivals) by Lynn Cain
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy