Bread and Circuses

Theories of Mass Culture As Social Decay

Nonfiction, History, Civilization, Fiction & Literature, Literary Theory & Criticism, Theory
Cover of the book Bread and Circuses by Patrick Brantlinger, Cornell University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Patrick Brantlinger ISBN: 9781501707636
Publisher: Cornell University Press Publication: November 1, 2016
Imprint: Cornell University Press Language: English
Author: Patrick Brantlinger
ISBN: 9781501707636
Publisher: Cornell University Press
Publication: November 1, 2016
Imprint: Cornell University Press
Language: English

Lively and well written, Bread and Circuses analyzes theories that have treated mass culture as either a symptom or a cause of social decadence. Discussing many of the most influential and representative theories of mass culture, it ranges widely from Greek and Roman origins, through Marx, Nietzsche, Freud, Ortega y Gasset, T. S. Eliot, and the theorists of the Frankfurt Institute, down to Marshall McLuhan and Daniel Bell, Brantlinger considers the many versions of negative classicism and shows how the belief in the historical inevitability of social decay—a belief today perpetuated by the mass media themselves—has become the dominant view of mass culture in our time. While not defending mass culture in its present form, Brantlinger argues that the view of culture implicit in negative classicism obscures the question of how the media can best be used to help achieve freedom and enlightenment on a truly democratic basis.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Lively and well written, Bread and Circuses analyzes theories that have treated mass culture as either a symptom or a cause of social decadence. Discussing many of the most influential and representative theories of mass culture, it ranges widely from Greek and Roman origins, through Marx, Nietzsche, Freud, Ortega y Gasset, T. S. Eliot, and the theorists of the Frankfurt Institute, down to Marshall McLuhan and Daniel Bell, Brantlinger considers the many versions of negative classicism and shows how the belief in the historical inevitability of social decay—a belief today perpetuated by the mass media themselves—has become the dominant view of mass culture in our time. While not defending mass culture in its present form, Brantlinger argues that the view of culture implicit in negative classicism obscures the question of how the media can best be used to help achieve freedom and enlightenment on a truly democratic basis.

More books from Cornell University Press

Cover of the book Edmund Burke in America by Patrick Brantlinger
Cover of the book From Stalin to Mao by Patrick Brantlinger
Cover of the book Aggressive Fictions by Patrick Brantlinger
Cover of the book Transforming the Clunky Organization by Patrick Brantlinger
Cover of the book The Origin of Sin by Patrick Brantlinger
Cover of the book Democratic Hope by Patrick Brantlinger
Cover of the book Capital, Coercion, and Postcommunist States by Patrick Brantlinger
Cover of the book Songs of the Factory by Patrick Brantlinger
Cover of the book The Myth of Voter Fraud by Patrick Brantlinger
Cover of the book The Theban Plays by Patrick Brantlinger
Cover of the book Dangerous Guests by Patrick Brantlinger
Cover of the book Khrushchev's Cold Summer by Patrick Brantlinger
Cover of the book Soundings in Critical Theory by Patrick Brantlinger
Cover of the book Shakespeare's Foreign Worlds by Patrick Brantlinger
Cover of the book "No One Helped" by Patrick Brantlinger
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy