Soundings in Critical Theory

Nonfiction, History, Reference, Historiography, Religion & Spirituality, Philosophy
Cover of the book Soundings in Critical Theory by Dominick LaCapra, Cornell University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dominick LaCapra ISBN: 9781501705182
Publisher: Cornell University Press Publication: November 1, 2016
Imprint: Cornell University Press Language: English
Author: Dominick LaCapra
ISBN: 9781501705182
Publisher: Cornell University Press
Publication: November 1, 2016
Imprint: Cornell University Press
Language: English

In Soundings in Critical Theory, Dominick LaCapra continues his attempt to fashion a historiography that is at once critical and self-critical—a project he initiated in Rethinking Intellectual History: Texts, Contexts, Language (1983); and History and Criticism (1985), both available from Cornell University Press. This new collection of essays offers a provocative assessment of the nature of historical understanding and the role of critical theory in historical understanding; of the practice of historical writing as a dialogic exchange both with the past and among professional historians and critics; and of the problem of how to read texts and documents in relation to processes of contextual understanding.

A central concern of the volume is the interaction between Marxism, psychoanalysis, and postmodernism, and all of the essays demonstrate the complex ways in which this trio of critical theories continues to affect how historians frame their task. LaCapra first provides a general appraisal of the problems and possibilities of criticism as a genre that questions its own limits, and examines the roles of Jacques Derrida, Michel Foucault, Jean-François Lyotard, and Mikhail Bakhtin in the development of contemporary criticism. Subsequent chapters address such issues as the implications of psychoanalysis for the writing of history, the debate between Robert Darnton and Roger Chartier concerning the status of the symbolic dimension in history, and the problem of how best to read and make use of Marx's work. LaCapra concludes by exploring the larger project of forging viable links between history and critical theory and by evaluating the contributions of deconstruction and the new historicism to this project.

Contemporary cultural and intellectual historians, literary theorists and critics, philosophers, and social scientists will welcome this book.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Soundings in Critical Theory, Dominick LaCapra continues his attempt to fashion a historiography that is at once critical and self-critical—a project he initiated in Rethinking Intellectual History: Texts, Contexts, Language (1983); and History and Criticism (1985), both available from Cornell University Press. This new collection of essays offers a provocative assessment of the nature of historical understanding and the role of critical theory in historical understanding; of the practice of historical writing as a dialogic exchange both with the past and among professional historians and critics; and of the problem of how to read texts and documents in relation to processes of contextual understanding.

A central concern of the volume is the interaction between Marxism, psychoanalysis, and postmodernism, and all of the essays demonstrate the complex ways in which this trio of critical theories continues to affect how historians frame their task. LaCapra first provides a general appraisal of the problems and possibilities of criticism as a genre that questions its own limits, and examines the roles of Jacques Derrida, Michel Foucault, Jean-François Lyotard, and Mikhail Bakhtin in the development of contemporary criticism. Subsequent chapters address such issues as the implications of psychoanalysis for the writing of history, the debate between Robert Darnton and Roger Chartier concerning the status of the symbolic dimension in history, and the problem of how best to read and make use of Marx's work. LaCapra concludes by exploring the larger project of forging viable links between history and critical theory and by evaluating the contributions of deconstruction and the new historicism to this project.

Contemporary cultural and intellectual historians, literary theorists and critics, philosophers, and social scientists will welcome this book.

More books from Cornell University Press

Cover of the book The City Is the Factory by Dominick LaCapra
Cover of the book Small Arms by Dominick LaCapra
Cover of the book Women and Romance by Dominick LaCapra
Cover of the book Third Wave Capitalism by Dominick LaCapra
Cover of the book What Else Is Pastoral? by Dominick LaCapra
Cover of the book Prescription for the People by Dominick LaCapra
Cover of the book Losing Hearts and Minds by Dominick LaCapra
Cover of the book Novels, Readers, and Reviewers by Dominick LaCapra
Cover of the book Empire of Water by Dominick LaCapra
Cover of the book Interview Research in Political Science by Dominick LaCapra
Cover of the book Rights, Not Interests by Dominick LaCapra
Cover of the book Voices in the Band by Dominick LaCapra
Cover of the book Christian Imperialism by Dominick LaCapra
Cover of the book The Challenge to Change by Dominick LaCapra
Cover of the book Cities for Profit by Dominick LaCapra
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy