Brand Aid

Shopping Well to Save the World

Business & Finance, Marketing & Sales, Consumer Behaviour, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book Brand Aid by Lisa Ann Richey, Stefano Ponte, University of Minnesota Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lisa Ann Richey, Stefano Ponte ISBN: 9781452916569
Publisher: University of Minnesota Press Publication: November 30, 2013
Imprint: Univ Of Minnesota Press Language: English
Author: Lisa Ann Richey, Stefano Ponte
ISBN: 9781452916569
Publisher: University of Minnesota Press
Publication: November 30, 2013
Imprint: Univ Of Minnesota Press
Language: English

“Has there ever been a better reason to shop?” asks an ad for the Product RED American Express card, telling members who use the card that buying “cappuccinos or cashmere” will help to fight AIDS in Africa. Cofounded in 2006 by the rock star Bono, Product RED has been a particularly successful example of a new trend in celebrity-driven international aid and development, one explicitly linked to commerce, not philanthropy.

In Brand Aid, Lisa Ann Richey and Stefano Ponte offer a deeply informed and stinging critique of “compassionate consumption.” Campaigns like Product RED and its precursors, such as Lance Armstrong’s Livestrong and the pink-ribbon project in support of breast cancer research, advance the expansion of consumption far more than they meet the needs of the people they ostensibly serve. At the same time, such campaigns sell both the suffering of Africans with AIDS (in the case of Product RED) and the power of the average consumer to ameliorate it through familiar and highly effective media representations.

Using Product RED as its focal point, this book explores how corporations like American Express, Armani, Gap, and Hallmark promote compassionate consumption to improve their ethical profile and value without significantly altering their business model, protecting themselves from the threat to their bottom lines posed by a genuinely engaged consumer activism. Coupled with the phenomenon of celebrity activism and expertise as embodied by Bono, Richey and Ponte argue that this “causumerism” represents a deeply troubling shift in relief efforts, effectively delinking the relationship between capitalist production and global poverty.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“Has there ever been a better reason to shop?” asks an ad for the Product RED American Express card, telling members who use the card that buying “cappuccinos or cashmere” will help to fight AIDS in Africa. Cofounded in 2006 by the rock star Bono, Product RED has been a particularly successful example of a new trend in celebrity-driven international aid and development, one explicitly linked to commerce, not philanthropy.

In Brand Aid, Lisa Ann Richey and Stefano Ponte offer a deeply informed and stinging critique of “compassionate consumption.” Campaigns like Product RED and its precursors, such as Lance Armstrong’s Livestrong and the pink-ribbon project in support of breast cancer research, advance the expansion of consumption far more than they meet the needs of the people they ostensibly serve. At the same time, such campaigns sell both the suffering of Africans with AIDS (in the case of Product RED) and the power of the average consumer to ameliorate it through familiar and highly effective media representations.

Using Product RED as its focal point, this book explores how corporations like American Express, Armani, Gap, and Hallmark promote compassionate consumption to improve their ethical profile and value without significantly altering their business model, protecting themselves from the threat to their bottom lines posed by a genuinely engaged consumer activism. Coupled with the phenomenon of celebrity activism and expertise as embodied by Bono, Richey and Ponte argue that this “causumerism” represents a deeply troubling shift in relief efforts, effectively delinking the relationship between capitalist production and global poverty.

More books from University of Minnesota Press

Cover of the book Architectural Agents by Lisa Ann Richey, Stefano Ponte
Cover of the book Days on the Family Farm by Lisa Ann Richey, Stefano Ponte
Cover of the book Edges of the State by Lisa Ann Richey, Stefano Ponte
Cover of the book A World of Gangs by Lisa Ann Richey, Stefano Ponte
Cover of the book The Seeds We Planted by Lisa Ann Richey, Stefano Ponte
Cover of the book Disidentifications by Lisa Ann Richey, Stefano Ponte
Cover of the book Abolitionist Geographies by Lisa Ann Richey, Stefano Ponte
Cover of the book Dispatches from Pakistan by Lisa Ann Richey, Stefano Ponte
Cover of the book The Nazi Perpetrator by Lisa Ann Richey, Stefano Ponte
Cover of the book Speaking of Indigenous Politics by Lisa Ann Richey, Stefano Ponte
Cover of the book The Sound of Things to Come by Lisa Ann Richey, Stefano Ponte
Cover of the book Minneapolis Madams by Lisa Ann Richey, Stefano Ponte
Cover of the book Ecology without Culture by Lisa Ann Richey, Stefano Ponte
Cover of the book Summa Technologiae by Lisa Ann Richey, Stefano Ponte
Cover of the book Letters From The Promised Land by Lisa Ann Richey, Stefano Ponte
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy