'I'll tell thee thou dost evil'

The importance of 'You' and 'Thou' in Shakespeare's King Lear

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book 'I'll tell thee thou dost evil' by Martin Villwock, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martin Villwock ISBN: 9783638861915
Publisher: GRIN Publishing Publication: November 20, 2007
Imprint: GRIN Publishing Language: English
Author: Martin Villwock
ISBN: 9783638861915
Publisher: GRIN Publishing
Publication: November 20, 2007
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Cologne (Englisches Seminar), course: English Grammar - synchronic and diachronic aspects, 18 entries in the bibliography, language: English, abstract: In Middle English and Early Modern English one could choose either You or Thou (and their respective variants see Simpson et al. 2005: entry Thou, pers., pron., 2nd sing.). Either choice carried a number of implications, depending on the period of time in the language (Barber 1976:204-210). This system, which exists in many (but predominately European) countries is generally referred to as the T/V distinction. Although similar to the German T/V distinction (Blake 1983:6), there is a phenomenon in Early Modern English, particularly in Shakespeare's plays, which sets the You/Thou distinction apart. Whereas in German, French or Italian, it would be very rare and even rude to switch back and forth from T to V or the other way around, this must have happened quite frequently in Early Modern English dialogues (Brown and Gilman 1960:274-275). Eventually, of course, the use of Thou declined leaving the English language with only one second person pronoun, serving all cases without alteration (except possessive Yours and determiner Your) and both singular and plural (Görlach 1991:85). A speaker of Early Modern English consequently had not only the option of choosing T or V once, he or she could also switch within a conversation, sometimes within a single utterance. The choice then would carry certain implications, about the emotions of the speaker, about his fondness or dislike of the addressee, or about the social ranks of both addresser and addressee. As a result, choosing the pronoun became a tool in dialogues that could be used to acknowledge or insult. The T/V distinction will be discussed, its appearance in Early Modern English and particularly Shakespeare's language. Then, in order to attain an achievable amount of research for a paper of this size, one of Shakespeare's plays will be regarded with some detail. The choice fell on King Lear...

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Linguistics, grade: 1,7, University of Cologne (Englisches Seminar), course: English Grammar - synchronic and diachronic aspects, 18 entries in the bibliography, language: English, abstract: In Middle English and Early Modern English one could choose either You or Thou (and their respective variants see Simpson et al. 2005: entry Thou, pers., pron., 2nd sing.). Either choice carried a number of implications, depending on the period of time in the language (Barber 1976:204-210). This system, which exists in many (but predominately European) countries is generally referred to as the T/V distinction. Although similar to the German T/V distinction (Blake 1983:6), there is a phenomenon in Early Modern English, particularly in Shakespeare's plays, which sets the You/Thou distinction apart. Whereas in German, French or Italian, it would be very rare and even rude to switch back and forth from T to V or the other way around, this must have happened quite frequently in Early Modern English dialogues (Brown and Gilman 1960:274-275). Eventually, of course, the use of Thou declined leaving the English language with only one second person pronoun, serving all cases without alteration (except possessive Yours and determiner Your) and both singular and plural (Görlach 1991:85). A speaker of Early Modern English consequently had not only the option of choosing T or V once, he or she could also switch within a conversation, sometimes within a single utterance. The choice then would carry certain implications, about the emotions of the speaker, about his fondness or dislike of the addressee, or about the social ranks of both addresser and addressee. As a result, choosing the pronoun became a tool in dialogues that could be used to acknowledge or insult. The T/V distinction will be discussed, its appearance in Early Modern English and particularly Shakespeare's language. Then, in order to attain an achievable amount of research for a paper of this size, one of Shakespeare's plays will be regarded with some detail. The choice fell on King Lear...

More books from GRIN Publishing

Cover of the book The History of Political Violence - Is Capital Punishment Sometimes Acceptable? by Martin Villwock
Cover of the book International Trade and Finance - Pharmaceutical Industry in Germany by Martin Villwock
Cover of the book Chosen But Free by Martin Villwock
Cover of the book Links between terrorism and transnational crime groups by Martin Villwock
Cover of the book The Semantic Charging of Space in 'The Castle of Otranto' (Gothic Novel) by Martin Villwock
Cover of the book Sustainable communities by Martin Villwock
Cover of the book Gender-specific Speech in Disney Animated Movies by Martin Villwock
Cover of the book Technological Innovation and Emission Right Trading by Martin Villwock
Cover of the book Public Private Partnership and Telecom Infrastructure development by Martin Villwock
Cover of the book Kommunikationsunterschiede in Ost- und Westdeutschland by Martin Villwock
Cover of the book Quotations in academic articles and monographs. The problematic nature of secondary sources by Martin Villwock
Cover of the book About Plato's ideas regarding political organisation by Martin Villwock
Cover of the book Analysis and international comparison of selected labour standards by Martin Villwock
Cover of the book 'The Fall of the House of Usher' - More than fiction by Martin Villwock
Cover of the book Provide free markets just outcomes? by Martin Villwock
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy