The Circumstances of Living and Working for African-American Writers in the 1960s

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book The Circumstances of Living and Working for African-American Writers in the 1960s by Susanne Opel, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Susanne Opel ISBN: 9783638406062
Publisher: GRIN Verlag Publication: August 5, 2005
Imprint: GRIN Verlag Language: English
Author: Susanne Opel
ISBN: 9783638406062
Publisher: GRIN Verlag
Publication: August 5, 2005
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2,3, University of Rostock, 9 entries in the bibliography, language: English, abstract: The 1960s were a decade of changes for everyone in the USA. The Civil Rights Movement was at its height, while the assassinations of important personalities such as John F. Kennedy and Malcolm X, as well as Vietnam and the Cold War overshadowed the lives and thoughts of a whole generation. Hippie Culture, the anti-war movement, and the sexual revolution created a whole new generation with a new set of values. For the arts, for culture, and for the sciences the 1960s were a period of new developments that influenced the following decades immensely: the Beatles, worldwide TV shows, or the first man on the moon, just to name a few. Compared to their peers of periods, adolescents and unmarried young adults of the 1960s enjoyed greater social freedom and mobility and also were less tolerant of the socio-political subjugation of black people. The 1960s were also the decade in which African-American literature reached a new climax after the Harlem Renaissance in the twenties. There were a lot of new possibilities for African-Americans, but still also a lot to fight for. Being an African-American writer was a constant struggle, not only to earn money to survive , but also to gain the same acceptance as a white writer, or to help change something for the other African-Americans. Chester Himes wrote in his essay Dilemma of the Negro Novelist in U.S. (1966): From the start the American Negro writer is beset by conflicts. He is in conflict with himself, with his environment, with his public. The personal conflict will be the hardest. He must decide at the outset the extent of his honesty. He will find it no easy thing to reveal the truth of his experience or even to discover it. He will derive no please from the recounting of his hurts. He will encounter more agony by his explorations into his own personality than most non-Negroes realize. For him to delineate the degrading effects of oppression will be like inflicting a wound upon himself. He will have begun an intellectual crusade that will take him through the horrors of the damned. And this must be his reward for his integrity: he will be reviled by the Negroes and whites alike. Most of all, he will find no valid interpretation of his experiences in terms of human values until the truth be known. If he does not discover this truth, his life will be forever veiled in mystery, not only to whites, but to himself; and he will be heir to all the weird interpretations of his personality.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 2,3, University of Rostock, 9 entries in the bibliography, language: English, abstract: The 1960s were a decade of changes for everyone in the USA. The Civil Rights Movement was at its height, while the assassinations of important personalities such as John F. Kennedy and Malcolm X, as well as Vietnam and the Cold War overshadowed the lives and thoughts of a whole generation. Hippie Culture, the anti-war movement, and the sexual revolution created a whole new generation with a new set of values. For the arts, for culture, and for the sciences the 1960s were a period of new developments that influenced the following decades immensely: the Beatles, worldwide TV shows, or the first man on the moon, just to name a few. Compared to their peers of periods, adolescents and unmarried young adults of the 1960s enjoyed greater social freedom and mobility and also were less tolerant of the socio-political subjugation of black people. The 1960s were also the decade in which African-American literature reached a new climax after the Harlem Renaissance in the twenties. There were a lot of new possibilities for African-Americans, but still also a lot to fight for. Being an African-American writer was a constant struggle, not only to earn money to survive , but also to gain the same acceptance as a white writer, or to help change something for the other African-Americans. Chester Himes wrote in his essay Dilemma of the Negro Novelist in U.S. (1966): From the start the American Negro writer is beset by conflicts. He is in conflict with himself, with his environment, with his public. The personal conflict will be the hardest. He must decide at the outset the extent of his honesty. He will find it no easy thing to reveal the truth of his experience or even to discover it. He will derive no please from the recounting of his hurts. He will encounter more agony by his explorations into his own personality than most non-Negroes realize. For him to delineate the degrading effects of oppression will be like inflicting a wound upon himself. He will have begun an intellectual crusade that will take him through the horrors of the damned. And this must be his reward for his integrity: he will be reviled by the Negroes and whites alike. Most of all, he will find no valid interpretation of his experiences in terms of human values until the truth be known. If he does not discover this truth, his life will be forever veiled in mystery, not only to whites, but to himself; and he will be heir to all the weird interpretations of his personality.

More books from GRIN Verlag

Cover of the book Eine Funktionsanalyse vom Codeswitching im Unterrichtsgespräch an der Morula View Primary School Mabopane, Südafrika by Susanne Opel
Cover of the book Die Freilassungen römischer Sklaven - Vorteil für den Freilasser? by Susanne Opel
Cover of the book Die Bedeutung des Opfers und des Sündenbockes in neueren ethisch-soziologischen Diskussionen by Susanne Opel
Cover of the book Korruption, Geldwäsche und Steuerhinterziehung. Ursachen, wirtschaftliche Folgen und Möglichkeiten der Bekämpfung by Susanne Opel
Cover of the book Parlamentarische Demokratie und Präsidialdemokratie. Vergleich der politischen Systeme Deutschlands und der USA by Susanne Opel
Cover of the book Der unübersetzte Horaz by Susanne Opel
Cover of the book Karteninterpretation: Blatt L 8524, Lindau (Bodensee) by Susanne Opel
Cover of the book Wie viel Elite(n) braucht eine Gesellschaft? Elitetheorien und ihre Rechtfertigung by Susanne Opel
Cover of the book NS-Rassenhygiene by Susanne Opel
Cover of the book E-Logistik und Online-Handel als Zukunftsmarkt für Transportdienstleister by Susanne Opel
Cover of the book Die Bilanzierung von selbst erstellten immateriellen Vermögensgegenständen des Anlagevermögens nach dem Regierungsentwurf des BilMoG by Susanne Opel
Cover of the book Internationaler Wertewandel und Wirtschaftsentwicklung. 'Die Stille Revolution' nach Ronald Inglehart by Susanne Opel
Cover of the book Causes of Juvenile Delinquency. A Literature Review by Susanne Opel
Cover of the book Staatsbürgerkunde - ein Unterrichtsfach im Spiegel des Bildungssystems der DDR by Susanne Opel
Cover of the book Das Vier-Seiten-Modell von Schulz von Thun - Anwendung in einem Konfliktgespräch unter Müttern by Susanne Opel
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy