Tamburlaine's Zenocrate - only a pale and silent character or a lively individual?

only a pale and silent character or a lively individual?

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Tamburlaine's Zenocrate - only a pale and silent character or a lively individual? by Anonymous, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anonymous ISBN: 9783638577953
Publisher: GRIN Verlag Publication: December 7, 2006
Imprint: GRIN Verlag Language: English
Author: Anonymous
ISBN: 9783638577953
Publisher: GRIN Verlag
Publication: December 7, 2006
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Regensburg (Institut für Anglistik ), course: HS 'Christopher Marlowe' , 21 entries in the bibliography, language: English, abstract: Christopher Marlowe's play Tamburlaine has often been analysed in respect of various factors and characters including power, the motive of overreaching, religion and many more. What has been treated with less interest is the role of females in this play. As C. L. Barber states, Marlowe 'knew the available sources for the history of the great conqueror remarkably well' but the character of Zenocrate is not mentioned in the sources of the historical Timur who lived from 1336 until 1405 and 'was widely known in the West as the conqueror of Baghdad (1401) and Damascus (1403).' Therefore it is suggested that Marlowe must have had a special reason for he 'created the role of Zenocrate in Tamburlaine out of whole cloth.' When Part I was first staged in 1587, the society at that time was greatly different in its conception of gender and gender-related attributes in comparison with modern thinking about men and women and their roles in society. It was 'highly gendersegregated [and] [d]ifferent physical, emotional and intellectual qualities were ascribed to men and women, and to a significant extent they inhabited distinct social spaces.' From the traditional patriarchal perspective, therefore, qualities conventionally approved in women - passivity, sensitivity, tenderness, compassion, self-sacrifice, silence - are scorned in men as effeminate. Similarly, the attributes most admired in the male - activity, assertiveness, resourcefulness, resolution, eloquence - are deplored and sometimes even excoriated in the female as unnatural. Women were therefore commonly characterised as being associated with 'the earth, sensuality, personal relationships, imagination, intuition, nature, and so on,' whereas men were perceived as the powerful, mighty, aggressive intelligent human beings who manage politics and war, from which women were mostly excluded. According to these values, 'women [in literature often] function as apolitical, moral arbiters and men as monstrous Machiavells.'

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Regensburg (Institut für Anglistik ), course: HS 'Christopher Marlowe' , 21 entries in the bibliography, language: English, abstract: Christopher Marlowe's play Tamburlaine has often been analysed in respect of various factors and characters including power, the motive of overreaching, religion and many more. What has been treated with less interest is the role of females in this play. As C. L. Barber states, Marlowe 'knew the available sources for the history of the great conqueror remarkably well' but the character of Zenocrate is not mentioned in the sources of the historical Timur who lived from 1336 until 1405 and 'was widely known in the West as the conqueror of Baghdad (1401) and Damascus (1403).' Therefore it is suggested that Marlowe must have had a special reason for he 'created the role of Zenocrate in Tamburlaine out of whole cloth.' When Part I was first staged in 1587, the society at that time was greatly different in its conception of gender and gender-related attributes in comparison with modern thinking about men and women and their roles in society. It was 'highly gendersegregated [and] [d]ifferent physical, emotional and intellectual qualities were ascribed to men and women, and to a significant extent they inhabited distinct social spaces.' From the traditional patriarchal perspective, therefore, qualities conventionally approved in women - passivity, sensitivity, tenderness, compassion, self-sacrifice, silence - are scorned in men as effeminate. Similarly, the attributes most admired in the male - activity, assertiveness, resourcefulness, resolution, eloquence - are deplored and sometimes even excoriated in the female as unnatural. Women were therefore commonly characterised as being associated with 'the earth, sensuality, personal relationships, imagination, intuition, nature, and so on,' whereas men were perceived as the powerful, mighty, aggressive intelligent human beings who manage politics and war, from which women were mostly excluded. According to these values, 'women [in literature often] function as apolitical, moral arbiters and men as monstrous Machiavells.'

More books from GRIN Verlag

Cover of the book Die zukünftige Rolle des Renminbi in Asien by Anonymous
Cover of the book Staatslehre und Staatsbeschreibung bei Niccolò Machiavelli by Anonymous
Cover of the book Computerunterstützte Datenanalyse - Vier sozialwissenschaftliche Problemstellungen werden mit Hilfe von SPSS untersucht by Anonymous
Cover of the book Der Einfluss der formalen Kriterien des Gedichts auf den Inhalt im 'Poem ohne Held' von Anna Achmatova by Anonymous
Cover of the book Fraktionierte Schwermetall-Extraktion aus Acker- und Gartenböden by Anonymous
Cover of the book Die Märkte für Kreditderivate 2007 by Anonymous
Cover of the book Theodor W. Adorno: Prolog zum Fernsehen by Anonymous
Cover of the book Der Utilitarismus - Ein universelles Naturprinzip? by Anonymous
Cover of the book Kritische Analyse der Konzeptionen von Nachhilfeinstituten by Anonymous
Cover of the book Gustav Streseman - der verfassungsmäßige Republikaner by Anonymous
Cover of the book Die Ideenlehre von Erasmus Desiderius von Rotterdam im Schelmenroman 'Lazarillo de Tormes' by Anonymous
Cover of the book Handelnde Verfahren der Texterschließung von Gedichten in einer 4. Klasse by Anonymous
Cover of the book Analyse eines Prosatextes aus der Perspektive der Narrativik by Anonymous
Cover of the book Betriebliche Gesundheitsförderung älterer Arbeitnehmer by Anonymous
Cover of the book Operative Controllinginstrumente. Aufbau und Wirkungsweise by Anonymous
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy