Parmigianino: Detailed Paintings

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Parmigianino: Detailed Paintings by Maria Tsaneva, Maria Tsaneva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Tsaneva ISBN: 9786050372182
Publisher: Maria Tsaneva Publication: April 15, 2015
Imprint: Language: English
Author: Maria Tsaneva
ISBN: 9786050372182
Publisher: Maria Tsaneva
Publication: April 15, 2015
Imprint:
Language: English

Girolamo Francesco Maria Mazzola also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes Vision of Saint Jerome (1527) and the Madonna with the Long Neck (1534). Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Girolamo Francesco Maria Mazzola also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form and includes Vision of Saint Jerome (1527) and the Madonna with the Long Neck (1534). Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

More books from General Art

Cover of the book Art & Visual Culture 1850-2010: Modernity to Globalisation by Maria Tsaneva
Cover of the book Le Club des Hachichins by Maria Tsaneva
Cover of the book Reporting Human Rights by Maria Tsaneva
Cover of the book Capillari di metafisica ii by Maria Tsaneva
Cover of the book Camille Corot: 110 Master Drawings and Etchings by Maria Tsaneva
Cover of the book El poseedor y el poseído by Maria Tsaneva
Cover of the book Branding as Communication by Maria Tsaneva
Cover of the book 100 Zeichentechniken by Maria Tsaneva
Cover of the book Aby Warburg - Italienische Kunst und internationale Astrologie im Palazzo Schifanoja zu Ferrara by Maria Tsaneva
Cover of the book Sham’S Kitchen by Maria Tsaneva
Cover of the book Library of Luminaries: Virginia Woolf by Maria Tsaneva
Cover of the book The Faerie Handbook by Maria Tsaneva
Cover of the book My Art, My Life by Maria Tsaneva
Cover of the book Caravage et les caravagesques by Maria Tsaneva
Cover of the book Kandinsky by Maria Tsaneva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy