Music and Advertising in Television II

Case Study Analysis - The X Factor

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Music and Advertising in Television II by Verena Stickler, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Verena Stickler ISBN: 9783640998234
Publisher: GRIN Verlag Publication: September 2, 2011
Imprint: GRIN Verlag Language: English
Author: Verena Stickler
ISBN: 9783640998234
Publisher: GRIN Verlag
Publication: September 2, 2011
Imprint: GRIN Verlag
Language: English

Research Paper (undergraduate) from the year 2008 in the subject Communications - Movies and Television, grade: 1,1, London Metropolitan University (London Metropolitan University), language: English, abstract: 'The X Factor' is a reality pop program which first aired in the UK in September 2004 and which is still on screens today. The history of the sector is multi-faceted with the very first reality pop series, New Zealand's 'Popstars', dating back to 1999. 'The X Factor' emerged after 'Pop Idol', a similar show to 'Popstars', was put on indefinite hiatus after its second run. Ever since its first series, 'The X Factor' has gone from strength to strength, with audience and voting figures increasing with each series. The single most important person behind 'The X Factor' is music mogul Simon Cowell who created the show back in 2004. His television company SyCo TV produces the program together with Fremantle Media's talkbackTHAMES. 'The X Factor' is aimed at reality TV's target demographic and manages to attract an audience of approximately 8-9m during its weekly live broadcasts. As the reality genre has proven particularly amenable to TV and media convergence, 'The X Factor' does not just rely on the television set to communicate its message to its audiences. It also relies on other 'platforms', like the internet, live events and telephone voting, hence altering popular music consumption. With the audience determining the winner of 'The X Factor' several albums released by contestants have reached the UK Albums Chart; six of them making it to number one. 'The X Factor' is often heavily criticized for standardizing pop music. Winners of 'The X Factor' are often referred to as over-hyped and over-manufactured artists with reality pop programs being accused of not producing important or lasting musicians. However the commercial success of 'The X Factor' is indisputable, which as a result, continues to encourage the production of further X Factor series as well as similar shows to go on.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Research Paper (undergraduate) from the year 2008 in the subject Communications - Movies and Television, grade: 1,1, London Metropolitan University (London Metropolitan University), language: English, abstract: 'The X Factor' is a reality pop program which first aired in the UK in September 2004 and which is still on screens today. The history of the sector is multi-faceted with the very first reality pop series, New Zealand's 'Popstars', dating back to 1999. 'The X Factor' emerged after 'Pop Idol', a similar show to 'Popstars', was put on indefinite hiatus after its second run. Ever since its first series, 'The X Factor' has gone from strength to strength, with audience and voting figures increasing with each series. The single most important person behind 'The X Factor' is music mogul Simon Cowell who created the show back in 2004. His television company SyCo TV produces the program together with Fremantle Media's talkbackTHAMES. 'The X Factor' is aimed at reality TV's target demographic and manages to attract an audience of approximately 8-9m during its weekly live broadcasts. As the reality genre has proven particularly amenable to TV and media convergence, 'The X Factor' does not just rely on the television set to communicate its message to its audiences. It also relies on other 'platforms', like the internet, live events and telephone voting, hence altering popular music consumption. With the audience determining the winner of 'The X Factor' several albums released by contestants have reached the UK Albums Chart; six of them making it to number one. 'The X Factor' is often heavily criticized for standardizing pop music. Winners of 'The X Factor' are often referred to as over-hyped and over-manufactured artists with reality pop programs being accused of not producing important or lasting musicians. However the commercial success of 'The X Factor' is indisputable, which as a result, continues to encourage the production of further X Factor series as well as similar shows to go on.

More books from GRIN Verlag

Cover of the book Systemtheorie Parsons und Luhmanns by Verena Stickler
Cover of the book Basel II - Die neue Baseler Eigenkapitalvereinbarung und ihre Auswirkungen auf die Mindestkapitalanforderungen im Bankgewerbe by Verena Stickler
Cover of the book Discourse analysis: News language by Verena Stickler
Cover of the book Die Rolle der Verfahrensbeteiligten im deutschen und amerikanischen Strafprozess im Rechtsvergleich by Verena Stickler
Cover of the book Methodological Justification by Verena Stickler
Cover of the book Eine Form sozialer Gerechtigkeit: Gerechtigkeit als Fairness (John Rawls: A Theory of Justice) by Verena Stickler
Cover of the book Facebook und Soziale Verantwortung im Web 2.0 by Verena Stickler
Cover of the book Structural Adjustment in Africa. An Evaluation of Western Aid and Development Interventions in Africa after 1980. by Verena Stickler
Cover of the book Der Arbeitskraftunternehmer. Konzept und Empirie by Verena Stickler
Cover of the book Angsterkrankungen - Angstneurose by Verena Stickler
Cover of the book The EU and China by Verena Stickler
Cover of the book Richard Pynson and Wynken de Worde. Two Early English Printers by Verena Stickler
Cover of the book Risikokommunikation als Strategie von Unternehmen im Umgang mit ökologischen Risiken by Verena Stickler
Cover of the book Bertolt Brechts 'Der aufhaltsame Aufstieg des Arturo Ui' - Eine Analyse der Darstellung der Figur Ui in der Inszenierung von Heiner Müller by Verena Stickler
Cover of the book Humes skeptische Betrachtung des Skeptizismus by Verena Stickler
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy