Marcel Duchamp’s Fountain

One Hundred Years Later

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Art & Architecture, General Art, Criticism
Cover of the book Marcel Duchamp’s Fountain by Robert Kilroy, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Kilroy ISBN: 9783319691589
Publisher: Springer International Publishing Publication: December 4, 2017
Imprint: Palgrave Pivot Language: English
Author: Robert Kilroy
ISBN: 9783319691589
Publisher: Springer International Publishing
Publication: December 4, 2017
Imprint: Palgrave Pivot
Language: English

This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book marks the centenary of Marcel Duchamp’s Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work’s significance. The author brings together Duchamp’s own statements to argue Fountain’s verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms ‘The Creative Act.’ This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique.

More books from Springer International Publishing

Cover of the book The Economics of Addictive Behaviours Volume II by Robert Kilroy
Cover of the book The Making of India by Robert Kilroy
Cover of the book Mobile Information Systems Leveraging Volunteered Geographic Information for Earth Observation by Robert Kilroy
Cover of the book Handbook of Sustainability Science and Research by Robert Kilroy
Cover of the book The Transformation of Women’s Collegiate Education by Robert Kilroy
Cover of the book Innovative Numerical Approaches for Multi-Field and Multi-Scale Problems by Robert Kilroy
Cover of the book High Performance Computing by Robert Kilroy
Cover of the book Signals and Systems by Robert Kilroy
Cover of the book Cystoid Macular Edema by Robert Kilroy
Cover of the book microRNA: Medical Evidence by Robert Kilroy
Cover of the book Clinical Management of the Rheumatoid Hand, Wrist, and Elbow by Robert Kilroy
Cover of the book Managing Geo-Based Challenges by Robert Kilroy
Cover of the book Advances in The Human Side of Service Engineering by Robert Kilroy
Cover of the book Engineering Applications of FPGAs by Robert Kilroy
Cover of the book John Owen by Robert Kilroy
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy