Love in William Shakespeare's 'As You Like It'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Love in William Shakespeare's 'As You Like It' by Julie Dillenkofer, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julie Dillenkofer ISBN: 9783668034846
Publisher: GRIN Verlag Publication: August 24, 2015
Imprint: GRIN Verlag Language: English
Author: Julie Dillenkofer
ISBN: 9783668034846
Publisher: GRIN Verlag
Publication: August 24, 2015
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2015 in the subject English - Literature, Works, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: Literature & Film - Adapting Shakespeare for the Screen, language: English, abstract: William Shakespeare's 'As You Like It' portrays love and marriage in a comical, amusing manner. The play represents passionate love on the one hand, as well as disguised, blind and even manipulated love on the other hand. Love as a state of being is omnipresent throughout As You Like It. As the play's major theme, love is illustrated essentially by eight characters who all marry at the end of the play. However, As You Like It cannot be interpreted as a typical love story. In fact, only one twosome, namely Rosalind and Orlando, illustrates a relationship of true love which ends in a happy, mutually agreeable marriage. By falling in love at first sight, they symbolize the typical Shakespearean romantic lovers whose love overcomes any obstacles. The other couples in the play, however, seem to pursue rather different goals. Audrey and Touchstone simply wish to act on their sexual desire, which they cleverly hide behind marriage in order to prevent any 'Vorwurf der Unzucht' - a serious matter in Elizabethan times. Phoebe and Silvius are both in love, though not reciprocally. Silvius does love Phoebe; she, however, falls in love with Ganymede and is merely tricked into committing herself to Silvius. Celia and Oliver are simply following the lead of Rosalind and Orlando, but seem to strive for companionship rather than passion or true love. Shakespeare illustrates four different kinds of love in As You Like It in a humorous way. He demonstrates that love and marriage do not necessarily have to go hand in hand and adds comical aspects of love by turning some characters into fools. In this way, Shakespeare builds on the Elizabethan assumptions about love as a sickness, but still validates it as a valuable aspect of a happy marriage.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2015 in the subject English - Literature, Works, grade: 1,7, University of Heidelberg (Anglistisches Seminar), course: Literature & Film - Adapting Shakespeare for the Screen, language: English, abstract: William Shakespeare's 'As You Like It' portrays love and marriage in a comical, amusing manner. The play represents passionate love on the one hand, as well as disguised, blind and even manipulated love on the other hand. Love as a state of being is omnipresent throughout As You Like It. As the play's major theme, love is illustrated essentially by eight characters who all marry at the end of the play. However, As You Like It cannot be interpreted as a typical love story. In fact, only one twosome, namely Rosalind and Orlando, illustrates a relationship of true love which ends in a happy, mutually agreeable marriage. By falling in love at first sight, they symbolize the typical Shakespearean romantic lovers whose love overcomes any obstacles. The other couples in the play, however, seem to pursue rather different goals. Audrey and Touchstone simply wish to act on their sexual desire, which they cleverly hide behind marriage in order to prevent any 'Vorwurf der Unzucht' - a serious matter in Elizabethan times. Phoebe and Silvius are both in love, though not reciprocally. Silvius does love Phoebe; she, however, falls in love with Ganymede and is merely tricked into committing herself to Silvius. Celia and Oliver are simply following the lead of Rosalind and Orlando, but seem to strive for companionship rather than passion or true love. Shakespeare illustrates four different kinds of love in As You Like It in a humorous way. He demonstrates that love and marriage do not necessarily have to go hand in hand and adds comical aspects of love by turning some characters into fools. In this way, Shakespeare builds on the Elizabethan assumptions about love as a sickness, but still validates it as a valuable aspect of a happy marriage.

More books from GRIN Verlag

Cover of the book Was bei einer Taufe geschieht. Gegenstände, Handlungen und Personen beim Sakrament der Taufe (Religion, 1. Klasse) by Julie Dillenkofer
Cover of the book Binäre Bäume by Julie Dillenkofer
Cover of the book Konvergenz oder Divergenz - Die Zukunft der Varieties of Capitalism by Julie Dillenkofer
Cover of the book Sind alle Menschen Personen? Über den Personenbegriff bei John Locke, Peter Singer und Robert Spaemann by Julie Dillenkofer
Cover of the book Bonhoeffers Ethik im Gegensatz zum nationalsozialistischen Weltbild by Julie Dillenkofer
Cover of the book Kommunikation im Leistungssport Fußball. Coachen und Moderieren im Juniorenspitzenfußball by Julie Dillenkofer
Cover of the book Computerspiele auf dem Prüfstand: Wie Computerspiele in der pädagogischen Debatte definiert werden by Julie Dillenkofer
Cover of the book Effekte des Emissionshandels auf die Finanzmärkte - Chancen, Risiken, Produktinnovationen by Julie Dillenkofer
Cover of the book Die Erzählstruktur als Ausdruck des Identitätsproblems Walter Fabers by Julie Dillenkofer
Cover of the book Constantin I: Christ aus Überzeugung, oder politischem Kalkül? by Julie Dillenkofer
Cover of the book Weltweit vernetzt - Nutzen und Schaden neuer Medien by Julie Dillenkofer
Cover of the book Das Europäische Parlament by Julie Dillenkofer
Cover of the book Die Codierung der Weiblichkeit in den Filmen der Nouvelle Vague by Julie Dillenkofer
Cover of the book Laizismus in der Türkei by Julie Dillenkofer
Cover of the book 'Hitler als Comicfigur' oder 'Der Umgang der modernen Medien mit dem Erbe des Dritten Reiches' by Julie Dillenkofer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy