Female Cunningness and Male Deception in Jane Austen's 'Northanger Abbey' and 'Sense and Sensibility' and in Henry Fielding's 'Tom Jones'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Female Cunningness and Male Deception in Jane Austen's 'Northanger Abbey' and 'Sense and Sensibility' and in Henry Fielding's 'Tom Jones' by Stephanie Lipka, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephanie Lipka ISBN: 9783640314591
Publisher: GRIN Publishing Publication: April 23, 2009
Imprint: GRIN Publishing Language: English
Author: Stephanie Lipka
ISBN: 9783640314591
Publisher: GRIN Publishing
Publication: April 23, 2009
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Münster (Englisches Seminar), course: Comedy and Burlesque in Henry Fielding and Jane Austen, language: English, abstract: When comparing Jane Austen's novels 'Northanger Abbey' and 'Sense and Sensibility' to Henry Fielding's 'Tom Jones,' the reader's first observation will be that they do not have too much in common. Jane Austen tells romantic love stories. Henry Fielding mostly deals with sex. Jane Austen's main characters are women waiting for and suffering on behalf of a man. Henry Fielding describes male chauvinist behaviour. In this work, I want to take a closer look at the differences between the novels. Focussing on cunning as well as on cunning, game and intrigue, I compare the authors' ways of presenting their characters. In both 'Northanger Abbey' and 'Sense and Sensibility,' we come across women of relatively low social status who want to improve their lifestyle by marrying wealthy. We also come across men who turn out not to be what they seem: men that (in 'Northanger Abbey') lack responsibility or who (in 'Sense and Sensibility') simply have too much of it. In 'Tom Jones,' we find two characters both evil and cunning, one of whom is male. This work focuses on these characters' motives, actions and on the effects of these. Furthermore, it deals with the question whether their behaviour is judged by the authors. Genre will not be focussed on, but the questions mentioned beforehand will be answered by a closer examination of style. A man thinks differently from a woman; he presents female and male characters in another way than a woman would and he expresses his thoughts in a different manner. Starting from the topic of cunningness and charade, the following pages will deal with the different perception and presentation of both female cunning and male deception in the novels - depending on the author's sex.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Münster (Englisches Seminar), course: Comedy and Burlesque in Henry Fielding and Jane Austen, language: English, abstract: When comparing Jane Austen's novels 'Northanger Abbey' and 'Sense and Sensibility' to Henry Fielding's 'Tom Jones,' the reader's first observation will be that they do not have too much in common. Jane Austen tells romantic love stories. Henry Fielding mostly deals with sex. Jane Austen's main characters are women waiting for and suffering on behalf of a man. Henry Fielding describes male chauvinist behaviour. In this work, I want to take a closer look at the differences between the novels. Focussing on cunning as well as on cunning, game and intrigue, I compare the authors' ways of presenting their characters. In both 'Northanger Abbey' and 'Sense and Sensibility,' we come across women of relatively low social status who want to improve their lifestyle by marrying wealthy. We also come across men who turn out not to be what they seem: men that (in 'Northanger Abbey') lack responsibility or who (in 'Sense and Sensibility') simply have too much of it. In 'Tom Jones,' we find two characters both evil and cunning, one of whom is male. This work focuses on these characters' motives, actions and on the effects of these. Furthermore, it deals with the question whether their behaviour is judged by the authors. Genre will not be focussed on, but the questions mentioned beforehand will be answered by a closer examination of style. A man thinks differently from a woman; he presents female and male characters in another way than a woman would and he expresses his thoughts in a different manner. Starting from the topic of cunningness and charade, the following pages will deal with the different perception and presentation of both female cunning and male deception in the novels - depending on the author's sex.

More books from GRIN Publishing

Cover of the book Communitarianism and Amitai Etzioni by Stephanie Lipka
Cover of the book Trainspotting - Analysis of the german translation of the chapter 'Strolling through the meadows' with the model of Juliane House (Translation Quality Assessment) by Stephanie Lipka
Cover of the book Economic Analysis of settlements by Stephanie Lipka
Cover of the book Über die Gleichheit und die Ungleichheit der Frau in islamischen Schriften by Stephanie Lipka
Cover of the book Political Economy of the global media business: Why corporate interests shape the news by Stephanie Lipka
Cover of the book Asian American male identity - A review of the syllabus from a perspective of male studies by Stephanie Lipka
Cover of the book International Relations by Stephanie Lipka
Cover of the book Business Plan: Reusable Ballerinas for Discos by Stephanie Lipka
Cover of the book Cultural Diversity Management in Tourism by Stephanie Lipka
Cover of the book Implementation of a city marketing strategy by Stephanie Lipka
Cover of the book A view on American Indians in the United States from World War II to the present by Stephanie Lipka
Cover of the book Innovation in the context of 'Zotter Schokoladen-Manufaktur GmbH' by Stephanie Lipka
Cover of the book The History of Political Violence - Is Capital Punishment Sometimes Acceptable? by Stephanie Lipka
Cover of the book Structuring Memory: Narrative Perspectives in German Autobiography by Stephanie Lipka
Cover of the book The developments and technical innovations of the 19th century U.S. pictured on Alec Michod's 'The White City' by Stephanie Lipka
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy