Josephina Niggli - Mexican Village

Mexican Village

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Josephina Niggli - Mexican Village by Silke-Katrin Kunze, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Silke-Katrin Kunze ISBN: 9783638126557
Publisher: GRIN Publishing Publication: May 16, 2002
Imprint: GRIN Publishing Language: English
Author: Silke-Katrin Kunze
ISBN: 9783638126557
Publisher: GRIN Publishing
Publication: May 16, 2002
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 2- (B-), Dresden Technical University (Institute for Anglistics/American Studies), course: Chicano/a Presences, 8 entries in the bibliography, language: English, abstract: Introduction Chicano/a Movement & Chicano/a Literature As there are some people who have never heard the term Chicano/a, it is of utmost importance to start out with a definition. Chicanos are people of Mexican descent who live in the United States. They were either born there or immigrated with their families. Therefore a Chicano may seem like a Mexican-American. The difference is that the first term implies cultural awareness, whereas the other is rather neutral. In Chicano/a writing the essence not only is that the author is a Chicano/a, he or she even plants Chicano characters into a Chicano environment who use Chicano speech patterns. The first pieces of Chicano literature were produced after the Mexican War (1848), so that this is actually a rather young field of research. The origins, however, already lie in the late 16th century, when the Spaniards spread their language and religion, etc. From that background folktales and legends evolved, among them La Llorona, the weeping woman. In fact, many Chicano works of fiction revolve around her. Historically important here is the Treaty of Guadelupe-Hidalgo from 1848. After the so-called Mexican War (1846-1848), Mexico had to cede large parts of its land, much of the Mexican Southwest (Texas, New Mexico, Arizona, Colorado, California), to the U.S., and in the short run those Mexicans who lived there had to choose between either Mexican or American citizenship. It is their descendants who later developed poetry, narratives and corri-dos. Corridos are ballads in Spanish, altogether forming a cultural history. Up to the present day, they have not ceased to exist. By 1900, Chicano literature played a role in the United States. Since many Mexican-Americans spoke Spanish and were catholic, those two were its first features. Around the same time also the first novels and stories were published. Things changed in 1945 at the latest, with the appearance of Josephina Niggli's Mexican Village. Influenced by the Civil Rights Movement in the 1960s (also the time of the so-called Chicano Movement [1965-1975]), Chicano publishing houses were founded. Only then could the literary field spread its wings and make way for movies and plays. A more recent development is the emergence of strong Chicana writing, aiming at voices of Mexican or Mexican-American women finally being heard and thus among others dealing with Mexican icons such as La Malinché, the Virgin of Guadelupe and the aforementioned La Llorona. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 2- (B-), Dresden Technical University (Institute for Anglistics/American Studies), course: Chicano/a Presences, 8 entries in the bibliography, language: English, abstract: Introduction Chicano/a Movement & Chicano/a Literature As there are some people who have never heard the term Chicano/a, it is of utmost importance to start out with a definition. Chicanos are people of Mexican descent who live in the United States. They were either born there or immigrated with their families. Therefore a Chicano may seem like a Mexican-American. The difference is that the first term implies cultural awareness, whereas the other is rather neutral. In Chicano/a writing the essence not only is that the author is a Chicano/a, he or she even plants Chicano characters into a Chicano environment who use Chicano speech patterns. The first pieces of Chicano literature were produced after the Mexican War (1848), so that this is actually a rather young field of research. The origins, however, already lie in the late 16th century, when the Spaniards spread their language and religion, etc. From that background folktales and legends evolved, among them La Llorona, the weeping woman. In fact, many Chicano works of fiction revolve around her. Historically important here is the Treaty of Guadelupe-Hidalgo from 1848. After the so-called Mexican War (1846-1848), Mexico had to cede large parts of its land, much of the Mexican Southwest (Texas, New Mexico, Arizona, Colorado, California), to the U.S., and in the short run those Mexicans who lived there had to choose between either Mexican or American citizenship. It is their descendants who later developed poetry, narratives and corri-dos. Corridos are ballads in Spanish, altogether forming a cultural history. Up to the present day, they have not ceased to exist. By 1900, Chicano literature played a role in the United States. Since many Mexican-Americans spoke Spanish and were catholic, those two were its first features. Around the same time also the first novels and stories were published. Things changed in 1945 at the latest, with the appearance of Josephina Niggli's Mexican Village. Influenced by the Civil Rights Movement in the 1960s (also the time of the so-called Chicano Movement [1965-1975]), Chicano publishing houses were founded. Only then could the literary field spread its wings and make way for movies and plays. A more recent development is the emergence of strong Chicana writing, aiming at voices of Mexican or Mexican-American women finally being heard and thus among others dealing with Mexican icons such as La Malinché, the Virgin of Guadelupe and the aforementioned La Llorona. [...]

More books from GRIN Publishing

Cover of the book Should the High Court or the Parliament determine the rights and freedoms of Australians by Silke-Katrin Kunze
Cover of the book The importance of culture by Silke-Katrin Kunze
Cover of the book Foreign Direct Investment in Russia by Silke-Katrin Kunze
Cover of the book Die Hintergründe der Entstehung des Lernfeldkonzepts und dessen Bestandteile by Silke-Katrin Kunze
Cover of the book Forms of Opposites in Lewis Carroll's Alice Books by Silke-Katrin Kunze
Cover of the book Welcomed or Rejected? The situation of Turks in Germany by Silke-Katrin Kunze
Cover of the book Direct Marketing by Silke-Katrin Kunze
Cover of the book Personalität und Wert des Lebens bei Peter Singer by Silke-Katrin Kunze
Cover of the book The Language of The Naked Chef by Silke-Katrin Kunze
Cover of the book Changes in Physical Performance of Children with Scoliosis Courtesy of Remedial Exercises Therapy by Silke-Katrin Kunze
Cover of the book Ethics and social responsibility by Silke-Katrin Kunze
Cover of the book Kommunikative Gattungen in der institutionellen Kommunikation by Silke-Katrin Kunze
Cover of the book Knowledge is the organisation's essential source of competetive advantage by Silke-Katrin Kunze
Cover of the book Theory of learning styles and practical applications by Silke-Katrin Kunze
Cover of the book The Present of the Past - Drafts of Memory in T.S. Eliot's 'The Waste Land' and Toni Morrison's 'Beloved' by Silke-Katrin Kunze
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy