Chartres Cathedral, Gaudí and the Sagrada Família

Nonfiction, Art & Architecture, Architecture, Individual Architect
Cover of the book Chartres Cathedral, Gaudí and the Sagrada Família by Josep Maria Tarragona, Josep Maria Tarragona
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Josep Maria Tarragona ISBN: 9781301468645
Publisher: Josep Maria Tarragona Publication: October 3, 2013
Imprint: Smashwords Edition Language: English
Author: Josep Maria Tarragona
ISBN: 9781301468645
Publisher: Josep Maria Tarragona
Publication: October 3, 2013
Imprint: Smashwords Edition
Language: English

Chartres Cathedral and the Sagrada Familia are emanations of the same idea: celestial Jerusalem. There are deep similarities between the two temples, with intrinsic messages that are usually ignored. Gaudí was inspired by Chartres Cathedral to design and build the Sagrada Família. He and the Maitre de Chartes were two architects working in the same artistic and spiritual tradition, separated by six centuries.

Antoni Gaudí believed that the modern basilica should be made with the arts of contemporary men and not rely on the language of Gothic art, typical of the Middle Ages. The comparison between the Sagrada Familia, Gaudi's magnum opus, and Notre-Dame de Chartres, queen of the Gothic cathedrals, reveals the foundation of Gaudí’s architectural revolution in the use of catenary arches and extended undulating surfaces, which completely modify the mechanical structure of the Gothic style.

Fourteen original photographs illustrate the text.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Chartres Cathedral and the Sagrada Familia are emanations of the same idea: celestial Jerusalem. There are deep similarities between the two temples, with intrinsic messages that are usually ignored. Gaudí was inspired by Chartres Cathedral to design and build the Sagrada Família. He and the Maitre de Chartes were two architects working in the same artistic and spiritual tradition, separated by six centuries.

Antoni Gaudí believed that the modern basilica should be made with the arts of contemporary men and not rely on the language of Gothic art, typical of the Middle Ages. The comparison between the Sagrada Familia, Gaudi's magnum opus, and Notre-Dame de Chartres, queen of the Gothic cathedrals, reveals the foundation of Gaudí’s architectural revolution in the use of catenary arches and extended undulating surfaces, which completely modify the mechanical structure of the Gothic style.

Fourteen original photographs illustrate the text.

More books from Individual Architect

Cover of the book Architettura PostDecostruttivista Vol. 2 by Josep Maria Tarragona
Cover of the book L'architettura del continuo by Josep Maria Tarragona
Cover of the book Brunelleschi by Josep Maria Tarragona
Cover of the book Paolo Portoghesi. L'architettura dell'ascolto by Josep Maria Tarragona
Cover of the book Marcello Piacentini architetto 1881-1960 by Josep Maria Tarragona
Cover of the book Antonio Sant'Elia. Manifesto dell'architettura futurista by Josep Maria Tarragona
Cover of the book Luigi Moretti e i progetti per Galloro 1937-1942 by Josep Maria Tarragona
Cover of the book Ludovico Quaroni e la didattica dell'architettura nella Facoltà di Roma tra gli anni '60 e ‘70 by Josep Maria Tarragona
Cover of the book Vite degli artisti, vite degli architetti by Josep Maria Tarragona
Cover of the book Bernini by Josep Maria Tarragona
Cover of the book The Architecture of William Nichols by Josep Maria Tarragona
Cover of the book Selbstbehauptung by Josep Maria Tarragona
Cover of the book La casa by Josep Maria Tarragona
Cover of the book Palladio by Josep Maria Tarragona
Cover of the book La forma dell'energia by Josep Maria Tarragona
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy