Zu: Sam Shepard - 'Buried Child'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Zu: Sam Shepard - 'Buried Child' by Alexandra Mohr, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alexandra Mohr ISBN: 9783638118019
Publisher: GRIN Publishing Publication: March 27, 2002
Imprint: GRIN Publishing Language: English
Author: Alexandra Mohr
ISBN: 9783638118019
Publisher: GRIN Publishing
Publication: March 27, 2002
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, 7 entries in the bibliography, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard's trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard's use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part 'The Buried Child' will be a direct interpretation of the text.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, 7 entries in the bibliography, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard's trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard's use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part 'The Buried Child' will be a direct interpretation of the text.

More books from GRIN Publishing

Cover of the book The significance of color in 'The Great Gatsby' by Alexandra Mohr
Cover of the book Porträtmalerei - Die Problematik des Ehepaarbildnis by Alexandra Mohr
Cover of the book Intercultural relationships and national identities in E.M. Forster´s novel 'A Passage to India' by Alexandra Mohr
Cover of the book Keep the Balance right - Ethical issues and the view to quarantine during the SARS outbreak by Alexandra Mohr
Cover of the book Europe's Last Dictatorship - U.S. Democratization Efforts in Belarus by Alexandra Mohr
Cover of the book First steps in the middle east - how concerns about communism and orientalist perceptions shaped U.S. policy towards Iran in the 1950s by Alexandra Mohr
Cover of the book The Benefits of Diversity by Alexandra Mohr
Cover of the book Character Analysis: Dolly Scupp in Terrence McNally's 'Bad Habits' by Alexandra Mohr
Cover of the book Increasing Returns and Transport costs - The fundamental Trade-off of a spatial economy by Alexandra Mohr
Cover of the book Failed Relationships in Hemingway`s The Sun Also Rises: Defending the New Woman by Alexandra Mohr
Cover of the book Zadie Smith 'White Teeth' and Multiculturalism by Alexandra Mohr
Cover of the book Biological Invasions by Alexandra Mohr
Cover of the book Analysing the marketing in christmas time by Alexandra Mohr
Cover of the book Why Crime Occurs in Society by Alexandra Mohr
Cover of the book Neue Medien - E-Learning in der Arbeitslehre by Alexandra Mohr
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy