Wyllard's Weird: A Novel

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Wyllard's Weird: A Novel by Mary Elizabeth Braddon, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Elizabeth Braddon ISBN: 9781465605306
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Mary Elizabeth Braddon
ISBN: 9781465605306
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
There are some travellers who think when they cross the Tamar, over that fairy bridge of Brunel's, hung aloft between the blue of the river and the blue of the sky, that they have left England behind them on the eastern shore—that they have entered a new country, almost a new world. This land of quiet woods and lonely valleys, and bold brown hills, barren, solitary—these wild commons and large moorlands of Cornwall seem to stand apart, as they did in the days gone by, when this province was verily a kingdom, complete in itself, and owning no sovereignty but its own. It is a beautiful region which the traveller sees, perchance for the first time, as the train skims athwart the quaint little waterside village of Saltash, and pierces the rich depths of the woodland, various, enchanting. Now the line seems strung like a thread of iron in mid-air above a deep gorge, now winds sinuous as a snake through a labyrinth of hills. A picturesque bit of road, this between Plymouth and Bodmin Road, at all times; but, perhaps, loveliest in the still evening hour, when the summer sunset steeps the land in golden light, while the summer wind scarcely stirs the woods. In the mellow light of a July eventide the express from Paddington swept with slackened speed round the curve which marked the approach to a viaduct between Saltash and Bodmin Road—a heavy wooden structure, spanning a vale of Alpine beauty. An exquisite little bit of scenery, upon which the stranger is apt to look with some touch of fear mingled in the cup of his delight: but to the dweller in the district, familiar with every yard of the journey, the transit is as nothing. He is carried through the air serenely, as he smokes his cigar and reads his paper, and the notion of peril never occurs to him. One man, sitting by the window of a third-class carriage near the end of the train, looked out at the familiar scene dreamily to-night. He was an elderly, gray-headed man, a parish doctor, hard-worked and poorly paid; but he had a keen eye for the beautiful in Nature, dead or living, and familiar as this spot was to his eye, it always impressed him. He sat with his face to the engine, puffing lazily at his black briarwood, and gazing at the landscape, in that not unpleasant condition of bodily and mental fatigue, when the mind seems half asleep, and the external world is little more than a dream-picture.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
There are some travellers who think when they cross the Tamar, over that fairy bridge of Brunel's, hung aloft between the blue of the river and the blue of the sky, that they have left England behind them on the eastern shore—that they have entered a new country, almost a new world. This land of quiet woods and lonely valleys, and bold brown hills, barren, solitary—these wild commons and large moorlands of Cornwall seem to stand apart, as they did in the days gone by, when this province was verily a kingdom, complete in itself, and owning no sovereignty but its own. It is a beautiful region which the traveller sees, perchance for the first time, as the train skims athwart the quaint little waterside village of Saltash, and pierces the rich depths of the woodland, various, enchanting. Now the line seems strung like a thread of iron in mid-air above a deep gorge, now winds sinuous as a snake through a labyrinth of hills. A picturesque bit of road, this between Plymouth and Bodmin Road, at all times; but, perhaps, loveliest in the still evening hour, when the summer sunset steeps the land in golden light, while the summer wind scarcely stirs the woods. In the mellow light of a July eventide the express from Paddington swept with slackened speed round the curve which marked the approach to a viaduct between Saltash and Bodmin Road—a heavy wooden structure, spanning a vale of Alpine beauty. An exquisite little bit of scenery, upon which the stranger is apt to look with some touch of fear mingled in the cup of his delight: but to the dweller in the district, familiar with every yard of the journey, the transit is as nothing. He is carried through the air serenely, as he smokes his cigar and reads his paper, and the notion of peril never occurs to him. One man, sitting by the window of a third-class carriage near the end of the train, looked out at the familiar scene dreamily to-night. He was an elderly, gray-headed man, a parish doctor, hard-worked and poorly paid; but he had a keen eye for the beautiful in Nature, dead or living, and familiar as this spot was to his eye, it always impressed him. He sat with his face to the engine, puffing lazily at his black briarwood, and gazing at the landscape, in that not unpleasant condition of bodily and mental fatigue, when the mind seems half asleep, and the external world is little more than a dream-picture.

More books from Library of Alexandria

Cover of the book Home Scenes and Home Influence: A Series of Tales and Sketches by Mary Elizabeth Braddon
Cover of the book The Kabbalah by Mary Elizabeth Braddon
Cover of the book Social England under the Regency (Complete) by Mary Elizabeth Braddon
Cover of the book The Witch of Prague by Mary Elizabeth Braddon
Cover of the book By-Ways of War: The Story of the Filibusters by Mary Elizabeth Braddon
Cover of the book Every Man Out of His Humour by Mary Elizabeth Braddon
Cover of the book The Lunatic at Large by Mary Elizabeth Braddon
Cover of the book Ninnoli by Mary Elizabeth Braddon
Cover of the book The Corner House by Mary Elizabeth Braddon
Cover of the book Figures of Several Centuries by Mary Elizabeth Braddon
Cover of the book The Pearl: A Monthly Journal of Facetiæ and Voluptuous Reading (Complete) by Mary Elizabeth Braddon
Cover of the book Dead Man's Land: Being the Voyage to Zimbambangwe of Certain and Uncertain Blacks and Whites by Mary Elizabeth Braddon
Cover of the book In Honour Bound: An Original Play in One Act (Suggested by Scribe's Five Act Comedy, "Une Chaine.") by Mary Elizabeth Braddon
Cover of the book The Last Voyage to India and Australia in the Sunbeam by Mary Elizabeth Braddon
Cover of the book The Continental Dragoon: A Love Story of Philipse Manor-House in 1778 by Mary Elizabeth Braddon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy