Writing & Selling Romantic Comedy Screenplays

Nonfiction, Entertainment, Film, Screenwriting, Performing Arts
Cover of the book Writing & Selling Romantic Comedy Screenplays by Craig Batty, Helen Jacey, Oldcastle Books
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Author: Craig Batty, Helen Jacey ISBN: 9781843441113
Publisher: Oldcastle Books Publication: April 1, 2015
Imprint: Creative Essentials Language: English
Author: Craig Batty, Helen Jacey
ISBN: 9781843441113
Publisher: Oldcastle Books
Publication: April 1, 2015
Imprint: Creative Essentials
Language: English

The many ways that "happy after ever" can come about—case studies and analyses include Due Date, I Give it a Year, Midnight in Paris, Ted, and Tamara DreweContemporary film audiences want and need sophisticated, authentic films that show how we now live and love—so what does this mean for the screenwriter developing a romcom? And how does one write heart-warming stories for a genre that is constantly evolving, from bromcom to zomcom to famcom? This guide offers a fresh approach to creating narratives for this ever-changing genre. Moving away from rigid and limited definitions that have evolved out of mainstream genre films, the book embraces a working definition that crosses cultural and national boundaries to give screenwriters a truly international perspective on writing comedic love stories. It will be the first screenwriting guide to reflect the diversity of approaches in today's films that deal with the human need for emotional and physical intimacy using humor—the contemporary romantic comedy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The many ways that "happy after ever" can come about—case studies and analyses include Due Date, I Give it a Year, Midnight in Paris, Ted, and Tamara DreweContemporary film audiences want and need sophisticated, authentic films that show how we now live and love—so what does this mean for the screenwriter developing a romcom? And how does one write heart-warming stories for a genre that is constantly evolving, from bromcom to zomcom to famcom? This guide offers a fresh approach to creating narratives for this ever-changing genre. Moving away from rigid and limited definitions that have evolved out of mainstream genre films, the book embraces a working definition that crosses cultural and national boundaries to give screenwriters a truly international perspective on writing comedic love stories. It will be the first screenwriting guide to reflect the diversity of approaches in today's films that deal with the human need for emotional and physical intimacy using humor—the contemporary romantic comedy.

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