Who Keeps the Score on the London Stages?

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Who Keeps the Score on the London Stages? by Kalina Stefanova, Taylor and Francis
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Author: Kalina Stefanova ISBN: 9781134429899
Publisher: Taylor and Francis Publication: December 19, 2013
Imprint: Routledge Language: English
Author: Kalina Stefanova
ISBN: 9781134429899
Publisher: Taylor and Francis
Publication: December 19, 2013
Imprint: Routledge
Language: English

How does one become a theater critic in London?
What do the theater critics think of their profession?
How are they judged by those they critique?
What do both critics and theatre-makers think of their mutual object of desire - the British Theatre?

Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain's current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle.
The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics' profession in Britain.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How does one become a theater critic in London?
What do the theater critics think of their profession?
How are they judged by those they critique?
What do both critics and theatre-makers think of their mutual object of desire - the British Theatre?

Who Keeps the Score on the London Stages? sets out to find the answers to these questions and many more in this long overdue publication on Britain's current theatre scene. Included are comprehensive interviews with more than fifty major London theatre critics and theater-makers, including Sir Alan Ayckbourn, Stephen Berkoff, Michael Billington, Martin Coveney, Nicholas de Jongh, Sir Richard Eyre, Sir Peter Hall, Sir Cameron Mackintosh, Adrian Noble, Sir Trevor Nunn and Irving Wardle.
The author has gathered together a lively discussion about the contrmporary state of the British theatre, drawing a picture of its strengths, weaknesses and the problems it faces today. This volume serves as a long overdue guide to the Theatre critics' profession in Britain.

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