We're the Light Crust Doughboys from Burrus Mill

An Oral History

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book We're the Light Crust Doughboys from Burrus Mill by Jean A.  Boyd, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jean A. Boyd ISBN: 9780292783225
Publisher: University of Texas Press Publication: January 1, 2010
Imprint: University of Texas Press Language: English
Author: Jean A. Boyd
ISBN: 9780292783225
Publisher: University of Texas Press
Publication: January 1, 2010
Imprint: University of Texas Press
Language: English
The Light Crust Doughboys are one of the most long-lived and musically versatile bands in America. Formed in the early 1930s under the sponsorship of Burrus Mill and Elevator Company of Fort Worth, Texas, with Bob Wills and Milton Brown (the originator of western swing) at the musical helm and future Texas governor W. Lee "Pappy" O'Daniel as band manager and emcee, the Doughboys are still going strong in the twenty-first century. Arguably the quintessential Texas band, the Doughboys have performed all the varieties of music that Texans love, including folk and fiddle tunes, cowboy songs, gospel and hymns, commercial country songs and popular ballads, honky-tonk, ragtime and blues, western swing and jazz, minstrel songs, movie hits, and rock 'n' roll. In this book, Jean Boyd draws on the memories of Marvin "Smokey" Montgomery and other longtime band members and supporters to tell the Light Crust Doughboys story from the band's founding in 1931 through the year 2000. She follows the band's musical evolution and personnel over seven decades, showing how band members and sponsors responded to changes in Texas culture and musical tastes during the Great Depression, World War II, and the postwar years. Boyd concludes that the Doughboys' willingness to change with changing times and to try new sounds and fresh musical approaches is the source of their enduring vitality. Historical photographs of the band, an annotated discography of their pre-World War II work, and histories of some of the band's songs round out the volume.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The Light Crust Doughboys are one of the most long-lived and musically versatile bands in America. Formed in the early 1930s under the sponsorship of Burrus Mill and Elevator Company of Fort Worth, Texas, with Bob Wills and Milton Brown (the originator of western swing) at the musical helm and future Texas governor W. Lee "Pappy" O'Daniel as band manager and emcee, the Doughboys are still going strong in the twenty-first century. Arguably the quintessential Texas band, the Doughboys have performed all the varieties of music that Texans love, including folk and fiddle tunes, cowboy songs, gospel and hymns, commercial country songs and popular ballads, honky-tonk, ragtime and blues, western swing and jazz, minstrel songs, movie hits, and rock 'n' roll. In this book, Jean Boyd draws on the memories of Marvin "Smokey" Montgomery and other longtime band members and supporters to tell the Light Crust Doughboys story from the band's founding in 1931 through the year 2000. She follows the band's musical evolution and personnel over seven decades, showing how band members and sponsors responded to changes in Texas culture and musical tastes during the Great Depression, World War II, and the postwar years. Boyd concludes that the Doughboys' willingness to change with changing times and to try new sounds and fresh musical approaches is the source of their enduring vitality. Historical photographs of the band, an annotated discography of their pre-World War II work, and histories of some of the band's songs round out the volume.

More books from University of Texas Press

Cover of the book Blood in the Arena by Jean A.  Boyd
Cover of the book Panama Odyssey by Jean A.  Boyd
Cover of the book Voices of Change in the Spanish American Theater by Jean A.  Boyd
Cover of the book Star Gods of the Maya by Jean A.  Boyd
Cover of the book Government and Society in Rural Palestine, 1920-1948 by Jean A.  Boyd
Cover of the book The Codex Mexicanus by Jean A.  Boyd
Cover of the book The Prague School by Jean A.  Boyd
Cover of the book Between Art and Artifact by Jean A.  Boyd
Cover of the book Subterranean Struggles by Jean A.  Boyd
Cover of the book The Design of Protest by Jean A.  Boyd
Cover of the book The Memory of Bones by Jean A.  Boyd
Cover of the book Farmers in Rebellion by Jean A.  Boyd
Cover of the book German Buenos Aires, 1900–1933 by Jean A.  Boyd
Cover of the book Institutional Adjustment by Jean A.  Boyd
Cover of the book New Letters to the Tatler and Spectator by Jean A.  Boyd
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy