Transmission and the Individual Remix

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Fiction & Literature, Literary Theory & Criticism, Theory, Essays & Letters, Essays
Cover of the book Transmission and the Individual Remix by Tom McCarthy, Knopf Doubleday Publishing Group
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Author: Tom McCarthy ISBN: 9780345803276
Publisher: Knopf Doubleday Publishing Group Publication: June 4, 2012
Imprint: Vintage Language: English
Author: Tom McCarthy
ISBN: 9780345803276
Publisher: Knopf Doubleday Publishing Group
Publication: June 4, 2012
Imprint: Vintage
Language: English

Sub-titled "How Literature Works" this essay by the renown novelist is a provocative and entertaining work of postmodern theory that re-evaluates literature and literary meaning from Aeschylus to Kraftwerk. A VINTAGE EBOOK ORIGINAL.

Tom McCarthy is one of the most vital young voices in contemporary literature, and in this essay he identifies the signals that have been repeating, pulsing, modulating in the airspace of the novel, poem, play—in their lines, between them and around them--since each of these forms began. Tom takes us back to the Greeks and the origins of literary meaning to show that information, rather than being a natural or abstract phenomenon, is always based in artificial media--in ones and zeros, dots and dashes, signals and noise. He takes us through Ovid, Rilke, Conrad, Joyce, Beckett, and others to re-imagine the very idea of what a writer does, and what the act of writing is. Rather than praising individual creative genius, Tom re-tunes our ears to the crackle of information as it has passed through the feedback loop of literary culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sub-titled "How Literature Works" this essay by the renown novelist is a provocative and entertaining work of postmodern theory that re-evaluates literature and literary meaning from Aeschylus to Kraftwerk. A VINTAGE EBOOK ORIGINAL.

Tom McCarthy is one of the most vital young voices in contemporary literature, and in this essay he identifies the signals that have been repeating, pulsing, modulating in the airspace of the novel, poem, play—in their lines, between them and around them--since each of these forms began. Tom takes us back to the Greeks and the origins of literary meaning to show that information, rather than being a natural or abstract phenomenon, is always based in artificial media--in ones and zeros, dots and dashes, signals and noise. He takes us through Ovid, Rilke, Conrad, Joyce, Beckett, and others to re-imagine the very idea of what a writer does, and what the act of writing is. Rather than praising individual creative genius, Tom re-tunes our ears to the crackle of information as it has passed through the feedback loop of literary culture.

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