Transcendental Realism

The Image-Art of Egoless Coincidence With Reality Itself

Nonfiction, Art & Architecture, General Art, Criticism
Cover of the book Transcendental Realism by Adi Da Samraj, Dawn Horse Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Adi Da Samraj ISBN: 9781570973192
Publisher: Dawn Horse Press Publication: May 13, 2013
Imprint: Dawn Horse Press Language: English
Author: Adi Da Samraj
ISBN: 9781570973192
Publisher: Dawn Horse Press
Publication: May 13, 2013
Imprint: Dawn Horse Press
Language: English
Adi Da Samraj created art for over forty years with a single intention: the visual communication of truth, and the means to draw the viewer beyond separateness into the paradox of "indivisible unity". Adi Da began his first serious photographic work in the early 1960s. From the mid-'60s to the '90s he produced a diverse body of drawings, paintings, and sculptural forms. 1998 marked the beginning of an intensive six-year period of photographic and videographic work. In 2006 Adi Da moved to digital technology, while still combining hand-drawn and painted forms as well as photographs within his compositions. Full-scale fabrications of Adi Da Samraj's images have included many forms of media, from monumentally-scaled paints on aluminum, to large-scale pigmented inks on canvas, photographic and videographic works, sculptural light boxes, plasma screen installations, and projected performance events. The work of Adi Da Samraj has been exhibited in Europe and the United States. He was featured as an official solo collateral artist at the 2007 Venice Biennale. Adi Da was also the first contemporary artist to be given a solo exhibition by the city of Florence, exhibited in the Cenacolo di Ognissanti. Transcendental Realism brings together all of Adi Da's writings on art. It includes details on the methods, meaning, and purposes of his own work, his penetrating insight into the present-day culture and purpose of art, and specific recommendations on how to participate ecstatically in art. Adi Da also intensively considers the error of presuming oneself to be separate from a work of art and he invites every individual to be drawn beyond this illusion of separateness into the ecstatic, living process of participating in his image-art. Includes color insert with 24 pages of high-quality stunning replications of his image-art.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Adi Da Samraj created art for over forty years with a single intention: the visual communication of truth, and the means to draw the viewer beyond separateness into the paradox of "indivisible unity". Adi Da began his first serious photographic work in the early 1960s. From the mid-'60s to the '90s he produced a diverse body of drawings, paintings, and sculptural forms. 1998 marked the beginning of an intensive six-year period of photographic and videographic work. In 2006 Adi Da moved to digital technology, while still combining hand-drawn and painted forms as well as photographs within his compositions. Full-scale fabrications of Adi Da Samraj's images have included many forms of media, from monumentally-scaled paints on aluminum, to large-scale pigmented inks on canvas, photographic and videographic works, sculptural light boxes, plasma screen installations, and projected performance events. The work of Adi Da Samraj has been exhibited in Europe and the United States. He was featured as an official solo collateral artist at the 2007 Venice Biennale. Adi Da was also the first contemporary artist to be given a solo exhibition by the city of Florence, exhibited in the Cenacolo di Ognissanti. Transcendental Realism brings together all of Adi Da's writings on art. It includes details on the methods, meaning, and purposes of his own work, his penetrating insight into the present-day culture and purpose of art, and specific recommendations on how to participate ecstatically in art. Adi Da also intensively considers the error of presuming oneself to be separate from a work of art and he invites every individual to be drawn beyond this illusion of separateness into the ecstatic, living process of participating in his image-art. Includes color insert with 24 pages of high-quality stunning replications of his image-art.

More books from Criticism

Cover of the book Le monde est mon langage by Adi Da Samraj
Cover of the book Начало (Nachalo) by Adi Da Samraj
Cover of the book La poésie et le peuple by Adi Da Samraj
Cover of the book L'Utopie by Adi Da Samraj
Cover of the book Poetry by Adi Da Samraj
Cover of the book Collecting as Modernist Practice by Adi Da Samraj
Cover of the book Utopia and Terror in Contemporary American Fiction by Adi Da Samraj
Cover of the book Orwell and Marxism by Adi Da Samraj
Cover of the book Fragmenting modernism by Adi Da Samraj
Cover of the book Odd Girls and Twilight Lovers by Adi Da Samraj
Cover of the book Narrative Desire and Historical Reparations by Adi Da Samraj
Cover of the book Etudes littéraires by Adi Da Samraj
Cover of the book Poetry, Physics, and Painting in Twentieth-Century Spain by Adi Da Samraj
Cover of the book Freedom from Liberation by Adi Da Samraj
Cover of the book American Indian Literature and the Southwest by Adi Da Samraj
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy