Tracking the Master Scribe

Revision through Introduction in Biblical and Mesopotamian Literature

Nonfiction, Religion & Spirituality, Bible & Bible Studies, Old Testament, Criticism & Interpretation, Fiction & Literature, Literary Theory & Criticism, Ancient & Classical
Cover of the book Tracking the Master Scribe by Sara J. Milstein, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sara J. Milstein ISBN: 9780190630836
Publisher: Oxford University Press Publication: September 9, 2016
Imprint: Oxford University Press Language: English
Author: Sara J. Milstein
ISBN: 9780190630836
Publisher: Oxford University Press
Publication: September 9, 2016
Imprint: Oxford University Press
Language: English

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can lead to misinterpretation. In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something new to the front, what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, many biblical and Mesopotamian texts continue to be interpreted solely through the lens of their final contributions. First impressions carry weight. Tracking the Master Scribe demonstrates what is to be gained when we engage questions of literary history in the context of how scribes actually worked. Drawing upon the two earliest corpora that allow us to track large-scale change, the book provides substantial hard evidence of revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian texts. The result is the first comprehensive profile of this key scribal method: one that was ubiquitous in the ancient Near East and epitomizes the attitudes of the master scribes toward the literature that they left behind.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can lead to misinterpretation. In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something new to the front, what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, many biblical and Mesopotamian texts continue to be interpreted solely through the lens of their final contributions. First impressions carry weight. Tracking the Master Scribe demonstrates what is to be gained when we engage questions of literary history in the context of how scribes actually worked. Drawing upon the two earliest corpora that allow us to track large-scale change, the book provides substantial hard evidence of revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian texts. The result is the first comprehensive profile of this key scribal method: one that was ubiquitous in the ancient Near East and epitomizes the attitudes of the master scribes toward the literature that they left behind.

More books from Oxford University Press

Cover of the book Listening to Bach by Sara J. Milstein
Cover of the book American Obscurantism by Sara J. Milstein
Cover of the book Urban Youth and Photovoice by Sara J. Milstein
Cover of the book The Undercover Economist : Exposing Why The Rich Are Rich, The Poor Are Poor--And Why You Can Never Buy A Decent Used Car! by Sara J. Milstein
Cover of the book A Midsummer Night's Dream Level 3 Oxford Bookworms Library by Sara J. Milstein
Cover of the book Son of Classics and Comics by Sara J. Milstein
Cover of the book The Handbook of the Political Economy of Financial Crises by Sara J. Milstein
Cover of the book Solution-Focused Brief Therapy with Clients Managing Trauma by Sara J. Milstein
Cover of the book These Estimable Courts by Sara J. Milstein
Cover of the book Animating the Science Fiction Imagination by Sara J. Milstein
Cover of the book Through the Lion Gate by Sara J. Milstein
Cover of the book Can Microfinance Work? by Sara J. Milstein
Cover of the book Juvenal and the Satiric Emotions by Sara J. Milstein
Cover of the book Women in Early Indian Buddhism by Sara J. Milstein
Cover of the book The Souls of Black Folk by Sara J. Milstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy