Toni Morrisson: The Bluest Eye

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Toni Morrisson: The Bluest Eye by Anonymous, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anonymous ISBN: 9783638266024
Publisher: GRIN Publishing Publication: April 7, 2004
Imprint: GRIN Publishing Language: English
Author: Anonymous
ISBN: 9783638266024
Publisher: GRIN Publishing
Publication: April 7, 2004
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 1 (A), Southern Connecticut State University (English Department), language: English, abstract: 'The Bluest Eye' is Toni Morrison's first novel and was published in 1970. Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child's and an adult's perspectives, and the second is an omniscient narrator. Claudia's and Pecola's points of view are dominant, but the reader also sees things from other character's points of view. The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the 'Dick and Jane narrative' by means of which the novel opens. Furthermore, I will explore the themes 'whiteness as the standard of beauty' and 'seeing versus being seen' which are sometimes closely connected. 'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her. However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 1 (A), Southern Connecticut State University (English Department), language: English, abstract: 'The Bluest Eye' is Toni Morrison's first novel and was published in 1970. Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child's and an adult's perspectives, and the second is an omniscient narrator. Claudia's and Pecola's points of view are dominant, but the reader also sees things from other character's points of view. The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the 'Dick and Jane narrative' by means of which the novel opens. Furthermore, I will explore the themes 'whiteness as the standard of beauty' and 'seeing versus being seen' which are sometimes closely connected. 'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her. However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

More books from GRIN Publishing

Cover of the book Interactive path planning and real-time motion synthesis for articulated humanoid characters in virtual environments by Anonymous
Cover of the book Case Study: PeoplePC: Is there a free lunch? by Anonymous
Cover of the book Quality Assurance of Exposure Models for Environmental Risk Assessment of Substances by Anonymous
Cover of the book The impact of globalisation on New Zealand television by Anonymous
Cover of the book Watersheds in South African History - The development of Racism throughout centuries by Anonymous
Cover of the book Nineteenth Century Gender Roles in Stephenie Meyer's 'Twilight' by Anonymous
Cover of the book Inner Culture - Inter Culture - Outer Culture by Anonymous
Cover of the book Microfinance investments in German retail banking by Anonymous
Cover of the book Political Economy of Economic Growth: A Cross Comparison of Egypt and Turkey by Anonymous
Cover of the book Internationalisation strategy of Luminar plc by Anonymous
Cover of the book Why the Hunts' marriage is not perfect - or why Gilman created this kind of partnership in the mystery novel 'Unpunished' by Anonymous
Cover of the book Selbsterhaltung unter Lagerstress - Überleben im Gulag by Anonymous
Cover of the book Integration or Separation? by Anonymous
Cover of the book The making of black female revolutionaries - growing consciousness and change of identity in the autobiographies of Assata Shakur and Elaine Brown by Anonymous
Cover of the book Marriage as social setting for women by Anonymous
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy