Tonal Pitch Space

Nonfiction, Entertainment, Music, Theory & Criticism, Theory
Cover of the book Tonal Pitch Space by Fred Lerdahl, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Fred Lerdahl ISBN: 9780199884407
Publisher: Oxford University Press Publication: December 9, 2004
Imprint: Oxford University Press Language: English
Author: Fred Lerdahl
ISBN: 9780199884407
Publisher: Oxford University Press
Publication: December 9, 2004
Imprint: Oxford University Press
Language: English

Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Building on the foundation of Lerdahl and Jackendoff's influential A Generative Theory of Tonal Music, this volume presents a multidimensional model of diatonic and chromatic spaces that quantifies listeners' intuitions of the relative distances of pitches, chords, and keys from a given tonic. The model is employed to assign prolongational structure, represent paths through the space, and compute patterns of tension and attraction as musical events unfold, thereby providing a partial basis for understanding musical narration, expectation, and expression. Conceived as both a music-theoretic treatise and a contribution to the cognitive science of music, this book will be of interest to music theorists, musicologists, composers, computer musicians, and cognitive psychologists.

More books from Oxford University Press

Cover of the book Israeli National Security by Fred Lerdahl
Cover of the book Focus on Assessment - Oxford Key Concepts for the Language Classroom by Fred Lerdahl
Cover of the book The Oxford Dictionary of American Political Slang by Fred Lerdahl
Cover of the book Corruption by Fred Lerdahl
Cover of the book The Nothing that Is by Fred Lerdahl
Cover of the book Brigham Intensive Review of Internal Medicine by Fred Lerdahl
Cover of the book Jewish History: A Very Short Introduction by Fred Lerdahl
Cover of the book America's God by Fred Lerdahl
Cover of the book The Oxford Introductions to U.S. Law by Fred Lerdahl
Cover of the book Electronic and Computer Music by Fred Lerdahl
Cover of the book A Yog=ac=ara Buddhist Theory of Metaphor by Fred Lerdahl
Cover of the book The Road to Martyrs' Square by Fred Lerdahl
Cover of the book Remade in France by Fred Lerdahl
Cover of the book Jews and Judaism: Oxford Bibliographies Online Research Guide by Fred Lerdahl
Cover of the book The Last and Greatest Battle by Fred Lerdahl
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy