Thomas Gainsborough: 240 Paintings and Drawings

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Thomas Gainsborough: 240 Paintings and Drawings by Narim Bender, Narim Bender
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Narim Bender ISBN: 9786050370249
Publisher: Narim Bender Publication: April 7, 2015
Imprint: Language: English
Author: Narim Bender
ISBN: 9786050370249
Publisher: Narim Bender
Publication: April 7, 2015
Imprint:
Language: English

Thomas Gainsborough (1727 – 1788) was an English portrait and landscape artist, the most versatile English painter of the 18th century. He was the most inventive and original, always prepared to experiment with new ideas and techniques. Gainsborough alone among the great portrait painters of the era also devoted serious attention to landscapes. Unlike Reynolds, he was no great believer in an academic tradition and laughed at the fashion for history painting; an instinctive painter, he delighted in the poetry of paint. In his racy letters Gainsborough shows a warm-hearted and generous character and an independent mind. His comments on his own work and methods, as well as on some of the old masters, are very revealing and throw considerable light on contemporary views of art. Gainsborough was noted for the speed with which he applied paint, and he worked more from observations of nature than from application of formal academic rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." His later work was characterized by a light palette and easy, economical strokes.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Thomas Gainsborough (1727 – 1788) was an English portrait and landscape artist, the most versatile English painter of the 18th century. He was the most inventive and original, always prepared to experiment with new ideas and techniques. Gainsborough alone among the great portrait painters of the era also devoted serious attention to landscapes. Unlike Reynolds, he was no great believer in an academic tradition and laughed at the fashion for history painting; an instinctive painter, he delighted in the poetry of paint. In his racy letters Gainsborough shows a warm-hearted and generous character and an independent mind. His comments on his own work and methods, as well as on some of the old masters, are very revealing and throw considerable light on contemporary views of art. Gainsborough was noted for the speed with which he applied paint, and he worked more from observations of nature than from application of formal academic rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." His later work was characterized by a light palette and easy, economical strokes.

More books from Narim Bender

Cover of the book Guercino: 176 Paintings and Drawings by Narim Bender
Cover of the book Francesco Allegrini: 80 Drawings by Narim Bender
Cover of the book Francesco Guardi: 72 Drawings by Narim Bender
Cover of the book J. M. W. Turner: 215 Paintings and Drawings by Narim Bender
Cover of the book Millet: 191 Paintings and Drawings by Narim Bender
Cover of the book Jacques Louis David: 172 Paintings and Drawings by Narim Bender
Cover of the book James Whistler: 80 Drawings and Prints by Narim Bender
Cover of the book John Singleton Copley: 70 Drawings and Pastels by Narim Bender
Cover of the book Canaletto: 70 Drawings and Prints by Narim Bender
Cover of the book William Hogarth: 171 Paintings and Drawings by Narim Bender
Cover of the book Parmigianino: 160 Paintings and Drawings by Narim Bender
Cover of the book Piranesi:80 Drawings by Narim Bender
Cover of the book Bruegel the Elder: 165 Paintings and Drawings by Narim Bender
Cover of the book Winslow Homer: 160 Paintings and Drawings by Narim Bender
Cover of the book Francis Barlow: 120 Paintings and Drawings by Narim Bender
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy