Thomas Abthorpe Cooper

Father of the American Stage, 1775-1849

Nonfiction, Entertainment, Theatre, Performing Arts, Biography & Memoir
Cover of the book Thomas Abthorpe Cooper by F. Arant Maginnes, McFarland & Company, Inc., Publishers
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Author: F. Arant Maginnes ISBN: 9781476600741
Publisher: McFarland & Company, Inc., Publishers Publication: March 19, 2015
Imprint: Language: English
Author: F. Arant Maginnes
ISBN: 9781476600741
Publisher: McFarland & Company, Inc., Publishers
Publication: March 19, 2015
Imprint:
Language: English

This is the biography of Thomas Abthorpe Cooper, the first star of the American stage. Cooper was the chief transitional figure between the British and American stage and contributed greatly to the development of American theatre. For the 30 years after 1797, Cooper performed in the major cities and toured to every state in the Union. This work covers his entire life and career from his birth outside London in 1775, to his famed performance to celebrate the opening of the City of Washington in 1800, to his death in Bristol, Pennsylvania, in 1849. Much research is drawn from Mr. Cooper’s letters to his mentor, English radical philosopher William Godwin. Throughout, there are descriptions of his principal portrayals at different stages drawn from contemporary accounts and theatrical reviews. There are also 22 illustrations, from paintings and engravings to playbills and photographs of the sites associated with the actor.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the biography of Thomas Abthorpe Cooper, the first star of the American stage. Cooper was the chief transitional figure between the British and American stage and contributed greatly to the development of American theatre. For the 30 years after 1797, Cooper performed in the major cities and toured to every state in the Union. This work covers his entire life and career from his birth outside London in 1775, to his famed performance to celebrate the opening of the City of Washington in 1800, to his death in Bristol, Pennsylvania, in 1849. Much research is drawn from Mr. Cooper’s letters to his mentor, English radical philosopher William Godwin. Throughout, there are descriptions of his principal portrayals at different stages drawn from contemporary accounts and theatrical reviews. There are also 22 illustrations, from paintings and engravings to playbills and photographs of the sites associated with the actor.

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