Theatre Symposium, Vol. 17
Outdoor Performance
Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
| Author: | Charlotte J. Headrick, Martha S. LoMonaco, Jane Barnette, Andrew Vorder Bruegge, Jeanmarie Higgins Williams, Angela Sweigart Gallagher, Landis K. Magnuson | ISBN: | 9780817382971 |
| Publisher: | University of Alabama Press | Publication: | January 28, 2011 |
| Imprint: | University Alabama Press | Language: | English |
| Author: | Charlotte J. Headrick, Martha S. LoMonaco, Jane Barnette, Andrew Vorder Bruegge, Jeanmarie Higgins Williams, Angela Sweigart Gallagher, Landis K. Magnuson |
| ISBN: | 9780817382971 |
| Publisher: | University of Alabama Press |
| Publication: | January 28, 2011 |
| Imprint: | University Alabama Press |
| Language: | English |
Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional.
Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first half of the 20th century; the civic-religious pageants staged by certain Mormon congregations; Wheels-A-Rolling, and other railroad themed pageants; first-hand accounts of the innovative Hunter Hills theatre program in Tennessee; the role of traditional outdoor historical drama, particularly the long-running performances of Paul Green's The Lost Colony; and the rise of the part dance, part sport, part performance phenomenon "parkour"-- the improvised traversal of obstacles found in both urban and rural landscapes.
Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional.
Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first half of the 20th century; the civic-religious pageants staged by certain Mormon congregations; Wheels-A-Rolling, and other railroad themed pageants; first-hand accounts of the innovative Hunter Hills theatre program in Tennessee; the role of traditional outdoor historical drama, particularly the long-running performances of Paul Green's The Lost Colony; and the rise of the part dance, part sport, part performance phenomenon "parkour"-- the improvised traversal of obstacles found in both urban and rural landscapes.
