The Year of the Lash

Free People of Color in Cuba and the Nineteenth-Century Atlantic World

Nonfiction, History, Modern, 19th Century
Cover of the book The Year of the Lash by Michele Reid-Vazquez, University of Georgia Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michele Reid-Vazquez ISBN: 9780820341804
Publisher: University of Georgia Press Publication: November 1, 2011
Imprint: University of Georgia Press Language: English
Author: Michele Reid-Vazquez
ISBN: 9780820341804
Publisher: University of Georgia Press
Publication: November 1, 2011
Imprint: University of Georgia Press
Language: English

Michele Reid-Vazquez reveals the untold story of the strategies of negotia­tion used by free blacks in the aftermath of the “Year of the Lash”—a wave of repression in Cuba that had great implications for the Atlantic World in the next two decades.

At dawn on June 29, 1844, a firing squad in Havana executed ten accused ringleaders of the Conspiracy of La Escalera, an alleged plot to abolish slavery and colonial rule in Cuba. The condemned men represented prominent members of Cuba’s free community of African descent, including the acclaimed poet Plácido (Gabriel de la Concepción Valdés). In an effort to foster a white majority and curtail black rebellion, Spanish colonial authorities also banished, imprisoned, and exiled hundreds of free blacks, dismantled the militia of color, and accelerated white immigration projects.

Scholars have debated the existence of the Conspiracy of La Escalera for over a century, yet little is known about how those targeted by the violence responded. Drawing on archival material from Cuba, Mexico, Spain, and the United States, Reid-Vazquez provides a critical window into under­standing how free people of color challenged colonial policies of terror and pursued justice on their own terms using formal and extralegal methods. Whether rooted in Cuba or cast into the Atlantic World, free men and women of African descent stretched and broke colonial expectations of their codes of conduct locally and in exile. Their actions underscored how black agency, albeit fragmented, worked to destabilize repression’s impact.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Michele Reid-Vazquez reveals the untold story of the strategies of negotia­tion used by free blacks in the aftermath of the “Year of the Lash”—a wave of repression in Cuba that had great implications for the Atlantic World in the next two decades.

At dawn on June 29, 1844, a firing squad in Havana executed ten accused ringleaders of the Conspiracy of La Escalera, an alleged plot to abolish slavery and colonial rule in Cuba. The condemned men represented prominent members of Cuba’s free community of African descent, including the acclaimed poet Plácido (Gabriel de la Concepción Valdés). In an effort to foster a white majority and curtail black rebellion, Spanish colonial authorities also banished, imprisoned, and exiled hundreds of free blacks, dismantled the militia of color, and accelerated white immigration projects.

Scholars have debated the existence of the Conspiracy of La Escalera for over a century, yet little is known about how those targeted by the violence responded. Drawing on archival material from Cuba, Mexico, Spain, and the United States, Reid-Vazquez provides a critical window into under­standing how free people of color challenged colonial policies of terror and pursued justice on their own terms using formal and extralegal methods. Whether rooted in Cuba or cast into the Atlantic World, free men and women of African descent stretched and broke colonial expectations of their codes of conduct locally and in exile. Their actions underscored how black agency, albeit fragmented, worked to destabilize repression’s impact.

More books from University of Georgia Press

Cover of the book Norm Diffusion and HIV/AIDS Governance in Putin's Russia and Mbeki's South Africa by Michele Reid-Vazquez
Cover of the book Of Gods and Games by Michele Reid-Vazquez
Cover of the book Let Us Build Us a City by Michele Reid-Vazquez
Cover of the book Fearless Confessions by Michele Reid-Vazquez
Cover of the book Singing to the Dead by Michele Reid-Vazquez
Cover of the book Thaw by Michele Reid-Vazquez
Cover of the book The World of the Salt Marsh by Michele Reid-Vazquez
Cover of the book North Carolina Women by Michele Reid-Vazquez
Cover of the book Katharine and R. J. Reynolds by Michele Reid-Vazquez
Cover of the book Revolting New York by Michele Reid-Vazquez
Cover of the book A Curse upon the Nation by Michele Reid-Vazquez
Cover of the book Mountain Blood by Michele Reid-Vazquez
Cover of the book Slavery in the Caribbean Francophone World by Michele Reid-Vazquez
Cover of the book Slaying the Nuclear Dragon by Michele Reid-Vazquez
Cover of the book Everybody Sing! by Michele Reid-Vazquez
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy