The Year of the Lash

Free People of Color in Cuba and the Nineteenth-Century Atlantic World

Nonfiction, History, Modern, 19th Century
Cover of the book The Year of the Lash by Michele Reid-Vazquez, University of Georgia Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michele Reid-Vazquez ISBN: 9780820341804
Publisher: University of Georgia Press Publication: November 1, 2011
Imprint: University of Georgia Press Language: English
Author: Michele Reid-Vazquez
ISBN: 9780820341804
Publisher: University of Georgia Press
Publication: November 1, 2011
Imprint: University of Georgia Press
Language: English

Michele Reid-Vazquez reveals the untold story of the strategies of negotia­tion used by free blacks in the aftermath of the “Year of the Lash”—a wave of repression in Cuba that had great implications for the Atlantic World in the next two decades.

At dawn on June 29, 1844, a firing squad in Havana executed ten accused ringleaders of the Conspiracy of La Escalera, an alleged plot to abolish slavery and colonial rule in Cuba. The condemned men represented prominent members of Cuba’s free community of African descent, including the acclaimed poet Plácido (Gabriel de la Concepción Valdés). In an effort to foster a white majority and curtail black rebellion, Spanish colonial authorities also banished, imprisoned, and exiled hundreds of free blacks, dismantled the militia of color, and accelerated white immigration projects.

Scholars have debated the existence of the Conspiracy of La Escalera for over a century, yet little is known about how those targeted by the violence responded. Drawing on archival material from Cuba, Mexico, Spain, and the United States, Reid-Vazquez provides a critical window into under­standing how free people of color challenged colonial policies of terror and pursued justice on their own terms using formal and extralegal methods. Whether rooted in Cuba or cast into the Atlantic World, free men and women of African descent stretched and broke colonial expectations of their codes of conduct locally and in exile. Their actions underscored how black agency, albeit fragmented, worked to destabilize repression’s impact.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Michele Reid-Vazquez reveals the untold story of the strategies of negotia­tion used by free blacks in the aftermath of the “Year of the Lash”—a wave of repression in Cuba that had great implications for the Atlantic World in the next two decades.

At dawn on June 29, 1844, a firing squad in Havana executed ten accused ringleaders of the Conspiracy of La Escalera, an alleged plot to abolish slavery and colonial rule in Cuba. The condemned men represented prominent members of Cuba’s free community of African descent, including the acclaimed poet Plácido (Gabriel de la Concepción Valdés). In an effort to foster a white majority and curtail black rebellion, Spanish colonial authorities also banished, imprisoned, and exiled hundreds of free blacks, dismantled the militia of color, and accelerated white immigration projects.

Scholars have debated the existence of the Conspiracy of La Escalera for over a century, yet little is known about how those targeted by the violence responded. Drawing on archival material from Cuba, Mexico, Spain, and the United States, Reid-Vazquez provides a critical window into under­standing how free people of color challenged colonial policies of terror and pursued justice on their own terms using formal and extralegal methods. Whether rooted in Cuba or cast into the Atlantic World, free men and women of African descent stretched and broke colonial expectations of their codes of conduct locally and in exile. Their actions underscored how black agency, albeit fragmented, worked to destabilize repression’s impact.

More books from University of Georgia Press

Cover of the book Neighborhood Hawks by Michele Reid-Vazquez
Cover of the book Calculating Property Relations by Michele Reid-Vazquez
Cover of the book The Dinner Party by Michele Reid-Vazquez
Cover of the book Reconsidering Roots by Michele Reid-Vazquez
Cover of the book Sudden Music by Michele Reid-Vazquez
Cover of the book Ate It Anyway by Michele Reid-Vazquez
Cover of the book Chicken Dreaming Corn by Michele Reid-Vazquez
Cover of the book In the Shadow of Dred Scott by Michele Reid-Vazquez
Cover of the book Through the Arch by Michele Reid-Vazquez
Cover of the book The Consequences of Desire by Michele Reid-Vazquez
Cover of the book Apocalyptic Sentimentalism by Michele Reid-Vazquez
Cover of the book Black, White, and Green by Michele Reid-Vazquez
Cover of the book The Unabridged Devil's Dictionary by Michele Reid-Vazquez
Cover of the book Fallen Forests by Michele Reid-Vazquez
Cover of the book Red, White, and Black Make Blue by Michele Reid-Vazquez
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy