The Wedding Video (Screenplay)

Nonfiction, Entertainment, Performing Arts
Cover of the book The Wedding Video (Screenplay) by Stefano Boscutti, Stefano Boscutti
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stefano Boscutti ISBN: 9780980712568
Publisher: Stefano Boscutti Publication: October 22, 2011
Imprint: Smashwords Edition Language: English
Author: Stefano Boscutti
ISBN: 9780980712568
Publisher: Stefano Boscutti
Publication: October 22, 2011
Imprint: Smashwords Edition
Language: English

Everyone loves a wedding.

You don't want to read something dry and droll. You want to read something smart and funny. Something you can laugh out loud to.

"The Wedding Video" melts the most subversive comedies ever written into one manic concoction of love and lust. Peopled with wannabe mafiosi, this intriguing farce pits a young man on the rise against the don who wants to bed his fiance on their wedding day.

One mistaken identity after another. Switchbacks, fallbacks and fall guys. Half turns and half wits. Double and triple entendres. All in the space of one mad day.

"The Wedding Video" is a riotous comedy screenplay. It's a sparkling, dizzying take on tripping up the ruling elite.

Will young Figaro get one up on the bombastic Don Almaviva?

'Comedy makes the subversion of the existing state of affairs possible.' Dario Fo

'History repeats itself, first as tragedy, second as farce.' Karl Marx

'Sparkling adaptation of Beaumarchais' scandalous plays.' Pierre Alekan

'Audacious farce of disguise and mistaken identity that alternately satirizes and condemns the privileged few.' Maria Grelson

'Marvelous tapestry of farce, wit and frivolity.' Denise Clavel

'Fanciful, fast and funny.' Robert Meyer

Based on Pierre-Augustin Caron De Beaumarchais' revolutionary plays "Le Barbier de Séville," "Le Mariage de Figaro," and "La Mère coupable."

'I think screenplays are the literature of the future. We all live our lives increasingly through screens, so why don’t we write for the screen. For "The Wedding Video" I developed a screenplay style beyond the current American model. It’s a mix of English, Italian, and Japanese, with a dash of the early silents and newsreels. It simplifies the technical parameters so it’s easier for you to read. A lot easier. I hope you have as much fun reading it as I had writing it.' Stefano Boscutti

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Everyone loves a wedding.

You don't want to read something dry and droll. You want to read something smart and funny. Something you can laugh out loud to.

"The Wedding Video" melts the most subversive comedies ever written into one manic concoction of love and lust. Peopled with wannabe mafiosi, this intriguing farce pits a young man on the rise against the don who wants to bed his fiance on their wedding day.

One mistaken identity after another. Switchbacks, fallbacks and fall guys. Half turns and half wits. Double and triple entendres. All in the space of one mad day.

"The Wedding Video" is a riotous comedy screenplay. It's a sparkling, dizzying take on tripping up the ruling elite.

Will young Figaro get one up on the bombastic Don Almaviva?

'Comedy makes the subversion of the existing state of affairs possible.' Dario Fo

'History repeats itself, first as tragedy, second as farce.' Karl Marx

'Sparkling adaptation of Beaumarchais' scandalous plays.' Pierre Alekan

'Audacious farce of disguise and mistaken identity that alternately satirizes and condemns the privileged few.' Maria Grelson

'Marvelous tapestry of farce, wit and frivolity.' Denise Clavel

'Fanciful, fast and funny.' Robert Meyer

Based on Pierre-Augustin Caron De Beaumarchais' revolutionary plays "Le Barbier de Séville," "Le Mariage de Figaro," and "La Mère coupable."

'I think screenplays are the literature of the future. We all live our lives increasingly through screens, so why don’t we write for the screen. For "The Wedding Video" I developed a screenplay style beyond the current American model. It’s a mix of English, Italian, and Japanese, with a dash of the early silents and newsreels. It simplifies the technical parameters so it’s easier for you to read. A lot easier. I hope you have as much fun reading it as I had writing it.' Stefano Boscutti

More books from Performing Arts

Cover of the book Costumes for the Stage by Stefano Boscutti
Cover of the book Cinema 4D Apprentice by Stefano Boscutti
Cover of the book Sharon Tate by Stefano Boscutti
Cover of the book The Story Collector by Stefano Boscutti
Cover of the book Singing in Musical Theatre by Stefano Boscutti
Cover of the book Where Are They Buried? by Stefano Boscutti
Cover of the book Oberon by Stefano Boscutti
Cover of the book Dracula's Daughters by Stefano Boscutti
Cover of the book The Modern Art of Influence and the Spectacle of Oscar Wilde by Stefano Boscutti
Cover of the book Dance Studies: The Basics by Stefano Boscutti
Cover of the book Sono tornati i dinosauri?! by Stefano Boscutti
Cover of the book The Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Great Animators by Stefano Boscutti
Cover of the book The A to Z of Horror Cinema by Stefano Boscutti
Cover of the book Filming the Line of Control by Stefano Boscutti
Cover of the book Rondini by Stefano Boscutti
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy