The Waves: Bernard as a Pattern (and Story-) Maker and Principle Spokesman - Bernard's Search for Identity

Bernard's Search for Identity

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Waves: Bernard as a Pattern (and Story-) Maker and Principle Spokesman - Bernard's Search for Identity by Katharina Baron, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Katharina Baron ISBN: 9783638562539
Publisher: GRIN Publishing Publication: October 29, 2006
Imprint: GRIN Publishing Language: English
Author: Katharina Baron
ISBN: 9783638562539
Publisher: GRIN Publishing
Publication: October 29, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2.3, http://www.uni-jena.de/ (Institut für Anglistik/Amerikanistik), 7 entries in the bibliography, language: English, abstract: The experimental novel The Waves by Virginia Woolf was published in 1931. By describing the search for identity Woolf has the aim to show that identity consists of a variety of selves. For that reason the question 'Who am I' is central to all characters in the novel. Woolf introduces a circle of friends that consists of seven people and describes the lives of the characters from childhood until they are old. Six characters, three men and three women, get voices and express themselves. The seventh, a man called Percival, does not speak, he is introduced by the other characters Susann, Jinny, Rhoda, Neville, Louis, and Bernard. The friends present themselves through their monologues, but they do not talk to each other, they just tell their own thoughts. The reader moves from consciousness to consciousness and only by the inquit formula 'said [name of character]', one can recognize who is speaking. Stylistic similarities of the monologues hint that Virginia Woolf actually intended to present the consciousness of a single person and not of six different individuals. Therefore this stylistic feature serves to illustrate the concept of a multiple self. The focus of this essay will be on Bernard because he is '[...] the primary voice in the novel'. His search for identity will be shown and it will be illustrated how Virginia Woolf's uses this character to illustrate the concept of an identity that consists of various elements. At the beginning Bernard's key position in the novel will be considered. Then some aspects of Bernard's search for identity will be discussed and at the end Bernard's function for the unity of the novel and of identity will be shown.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2.3, http://www.uni-jena.de/ (Institut für Anglistik/Amerikanistik), 7 entries in the bibliography, language: English, abstract: The experimental novel The Waves by Virginia Woolf was published in 1931. By describing the search for identity Woolf has the aim to show that identity consists of a variety of selves. For that reason the question 'Who am I' is central to all characters in the novel. Woolf introduces a circle of friends that consists of seven people and describes the lives of the characters from childhood until they are old. Six characters, three men and three women, get voices and express themselves. The seventh, a man called Percival, does not speak, he is introduced by the other characters Susann, Jinny, Rhoda, Neville, Louis, and Bernard. The friends present themselves through their monologues, but they do not talk to each other, they just tell their own thoughts. The reader moves from consciousness to consciousness and only by the inquit formula 'said [name of character]', one can recognize who is speaking. Stylistic similarities of the monologues hint that Virginia Woolf actually intended to present the consciousness of a single person and not of six different individuals. Therefore this stylistic feature serves to illustrate the concept of a multiple self. The focus of this essay will be on Bernard because he is '[...] the primary voice in the novel'. His search for identity will be shown and it will be illustrated how Virginia Woolf's uses this character to illustrate the concept of an identity that consists of various elements. At the beginning Bernard's key position in the novel will be considered. Then some aspects of Bernard's search for identity will be discussed and at the end Bernard's function for the unity of the novel and of identity will be shown.

More books from GRIN Publishing

Cover of the book The transfer of training into the work environment - a socio-cultural approach by Katharina Baron
Cover of the book Homöostase und Persönlichkeit by Katharina Baron
Cover of the book Cross Cultural Management in the 21st century and how it effects Negotiations with an example of HP by Katharina Baron
Cover of the book Valuating a German business - Case adidas by Katharina Baron
Cover of the book Die internationale Pharmaindustrie und das Aids-Problem in Subsahara-Afrika by Katharina Baron
Cover of the book Identifying highly talented athletes: Conception and design of an expert system by Katharina Baron
Cover of the book Why do democratic states not fight each other? A systemic approach to the democratic peace by Katharina Baron
Cover of the book Marchetta, M. - Looking for Alibrandi: Growing up in 'Looking for Alibrandi' by Katharina Baron
Cover of the book Los Principios de Autonomía y Suficiencia de la Hacienda Local en la Jurisprudencia del Tribunal Constitucional by Katharina Baron
Cover of the book Differences in Television News Coverage; A Comparison of RTL aktuell and ARD Tagesschau by Katharina Baron
Cover of the book 'The Fall of the House of Usher' - More than fiction by Katharina Baron
Cover of the book Respecting Foreigners by Katharina Baron
Cover of the book The Future of Communication in the 21st Century by Katharina Baron
Cover of the book El sistema del gran formato by Katharina Baron
Cover of the book Immanuel Kant - Kritik der Urteilskraft § 51 by Katharina Baron
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy