The Treatment of Landscapes and Cityscapes in Mark Twain's Adventures of Huckleberry Finn and The Innocents Abroad: Natural and Cultural Spaces in the Old and the New World

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book The Treatment of Landscapes and Cityscapes in Mark Twain's Adventures of Huckleberry Finn and The Innocents Abroad: Natural and Cultural Spaces in the Old and the New World by Jelena Vukadinovic, GRIN Publishing
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Author: Jelena Vukadinovic ISBN: 9783640314904
Publisher: GRIN Publishing Publication: April 24, 2009
Imprint: GRIN Publishing Language: English
Author: Jelena Vukadinovic
ISBN: 9783640314904
Publisher: GRIN Publishing
Publication: April 24, 2009
Imprint: GRIN Publishing
Language: English

Presentation (Handout) from the year 2003 in the subject American Studies - Literature, grade: 1, RWTH Aachen University, course: Mark Twain, language: English, abstract: As we all know Twain was very familiar with this landscape since he grew up there. In his 3 major Mississippi novels he tries to give the reader an impression of his Mississippi landscape There are various approaches to describe the experience of observing the river and its banks in the dawn, but the one in Huck Finn, which is so to say the third approach seems to be the most successful If one compares some phrases from all three novels describing the same event and the same [...]

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Presentation (Handout) from the year 2003 in the subject American Studies - Literature, grade: 1, RWTH Aachen University, course: Mark Twain, language: English, abstract: As we all know Twain was very familiar with this landscape since he grew up there. In his 3 major Mississippi novels he tries to give the reader an impression of his Mississippi landscape There are various approaches to describe the experience of observing the river and its banks in the dawn, but the one in Huck Finn, which is so to say the third approach seems to be the most successful If one compares some phrases from all three novels describing the same event and the same [...]

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