The Studios after the Studios

Neoclassical Hollywood (1970-2010)

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Studios after the Studios by J. D. Connor, Stanford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: J. D. Connor ISBN: 9780804794749
Publisher: Stanford University Press Publication: April 8, 2015
Imprint: Stanford University Press Language: English
Author: J. D. Connor
ISBN: 9780804794749
Publisher: Stanford University Press
Publication: April 8, 2015
Imprint: Stanford University Press
Language: English

Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Modern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.

More books from Stanford University Press

Cover of the book Self-Regulation and Human Progress by J. D. Connor
Cover of the book The Culture of Military Innovation by J. D. Connor
Cover of the book Privacy in Context by J. D. Connor
Cover of the book Taiwan’s China Dilemma by J. D. Connor
Cover of the book PLA Influence on China's National Security Policymaking by J. D. Connor
Cover of the book Politics, Poetics, and Gender in Late Qing China by J. D. Connor
Cover of the book The Scramble for Citizens by J. D. Connor
Cover of the book Us&Them by J. D. Connor
Cover of the book Imagining Harmony by J. D. Connor
Cover of the book The Lebanese Connection by J. D. Connor
Cover of the book Crescent Moon over the Rational by J. D. Connor
Cover of the book The Collected Letters of Robinson Jeffers, with Selected Letters of Una Jeffers by J. D. Connor
Cover of the book Your Money and Your Life by J. D. Connor
Cover of the book Getting to Zero by J. D. Connor
Cover of the book The Global Organ Shortage by J. D. Connor
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy