The Sahara

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Sahara by Pierre Loti, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pierre Loti ISBN: 9781465626196
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Pierre Loti
ISBN: 9781465626196
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

In your voyage down the west coast of Africa, after passing the southern extremity of Morocco, you sail for days and nights together past the shores of a never-ending land of desolation. It is the Sahara, “the great sea without water,” to which the Moors have given also the name of “Bled-el-Ateuch,” the land of thirst. These desert shores stretch for five hundred leagues without one port of call for the passing vessel, without one blade of grass, one sign of life. Solitude succeeds solitude with mournful monotony; shifting sandhills, vague horizons—and the heat grows each day more intense. At last there comes in sight over the sands an old city, white, with yellow palm trees set here and there—it is St Louis on the Senegal, the capital of Senegambia. A church, a mosque, a tower, houses built in Moorish style—the whole seems asleep under the burning sun, like those Portuguese towns, St Paul and St Philip of Benguela, that once flourished on the banks of the Congo. As one draws nearer one sees with surprise that this town is not built on the shore, that it has not even a port, nor any direct means of communication with the outer world. The flat, unbroken coast line is as inhospitable as that of the Sahara, and a ridge of breakers forever prevents the approach of ships. Another feature, not visible from a distance, now presents itself in the vast human ant heaps on the shore, thousands and thousands of thatched huts, lilliputian dwellings with pointed roofs, and teeming with a grotesque population of negroes. These are the two large Yolof towns, Guet n’dar and N’dar-toute, which lie between St Louis and the sea. If your ship lies to awhile off this country, long pirogues with pointed bows like fish-heads, and bodies shaped like sharks, are soon seen approaching. They are manned by negroes, who row standing. These pirogue men are tall and lean, of Herculean proportions, admirable build and muscular development, and their faces are those of gorillas. They have capsized ten times at least while crossing the breakers. With negro perseverance, with the agility and strength of acrobats, ten times in succession have they righted their pirogue and made a fresh start. Sweat and sea water trickle from their bare skins, which gleam like polished ebony. Here they are in spite of all, smiling with an air of triumph, and displaying their magnificent white teeth. Their costume consists of an amulet and a bead necklet, their cargo of a carefully sealed leaden box, which contains the mails. In this box also are orders from the governor for the newly arrived ship, and in it, too, are deposited papers addressed to members of the colony. A man in a hurry can safely entrust himself to these boatmen, secure in the knowledge that he will be fished out of the sea as often as necessary with the utmost care, and that eventually he will be deposited on the beach. But it is more comfortable to continue one’s voyage as far south as the mouth of the Senegal, where flat-bottomed boats take off the passengers and convey them smoothly by river to St Louis. This isolation from the sea is one of the chief causes of the stagnation and dreariness of this country. St Louis cannot serve as a port of call to mail-steamers or merchantmen on their way to the southern hemisphere. One goes to St Louis if one must, and this gives one the feeling of being a prisoner cut off from the rest of the world.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In your voyage down the west coast of Africa, after passing the southern extremity of Morocco, you sail for days and nights together past the shores of a never-ending land of desolation. It is the Sahara, “the great sea without water,” to which the Moors have given also the name of “Bled-el-Ateuch,” the land of thirst. These desert shores stretch for five hundred leagues without one port of call for the passing vessel, without one blade of grass, one sign of life. Solitude succeeds solitude with mournful monotony; shifting sandhills, vague horizons—and the heat grows each day more intense. At last there comes in sight over the sands an old city, white, with yellow palm trees set here and there—it is St Louis on the Senegal, the capital of Senegambia. A church, a mosque, a tower, houses built in Moorish style—the whole seems asleep under the burning sun, like those Portuguese towns, St Paul and St Philip of Benguela, that once flourished on the banks of the Congo. As one draws nearer one sees with surprise that this town is not built on the shore, that it has not even a port, nor any direct means of communication with the outer world. The flat, unbroken coast line is as inhospitable as that of the Sahara, and a ridge of breakers forever prevents the approach of ships. Another feature, not visible from a distance, now presents itself in the vast human ant heaps on the shore, thousands and thousands of thatched huts, lilliputian dwellings with pointed roofs, and teeming with a grotesque population of negroes. These are the two large Yolof towns, Guet n’dar and N’dar-toute, which lie between St Louis and the sea. If your ship lies to awhile off this country, long pirogues with pointed bows like fish-heads, and bodies shaped like sharks, are soon seen approaching. They are manned by negroes, who row standing. These pirogue men are tall and lean, of Herculean proportions, admirable build and muscular development, and their faces are those of gorillas. They have capsized ten times at least while crossing the breakers. With negro perseverance, with the agility and strength of acrobats, ten times in succession have they righted their pirogue and made a fresh start. Sweat and sea water trickle from their bare skins, which gleam like polished ebony. Here they are in spite of all, smiling with an air of triumph, and displaying their magnificent white teeth. Their costume consists of an amulet and a bead necklet, their cargo of a carefully sealed leaden box, which contains the mails. In this box also are orders from the governor for the newly arrived ship, and in it, too, are deposited papers addressed to members of the colony. A man in a hurry can safely entrust himself to these boatmen, secure in the knowledge that he will be fished out of the sea as often as necessary with the utmost care, and that eventually he will be deposited on the beach. But it is more comfortable to continue one’s voyage as far south as the mouth of the Senegal, where flat-bottomed boats take off the passengers and convey them smoothly by river to St Louis. This isolation from the sea is one of the chief causes of the stagnation and dreariness of this country. St Louis cannot serve as a port of call to mail-steamers or merchantmen on their way to the southern hemisphere. One goes to St Louis if one must, and this gives one the feeling of being a prisoner cut off from the rest of the world.

More books from Library of Alexandria

Cover of the book At the Sign of the Jack O'Lantern by Pierre Loti
Cover of the book For Treasure Bound by Pierre Loti
Cover of the book A History of Art in Chaldæa & Assyria, Volume I. by Pierre Loti
Cover of the book A Strange World: A Novel (Complete) by Pierre Loti
Cover of the book The Book of Filial Duty by Pierre Loti
Cover of the book Indian Tribes of the Upper Missouri Edited With Notes and Biographical Sketch by Pierre Loti
Cover of the book Rules and Practice for Adjusting Watches by Pierre Loti
Cover of the book Historic Waterways—Six Hundred Miles of Canoeing Down the Rock, Fox and Wisconsin Rivers by Pierre Loti
Cover of the book Chaucer for Children: A Golden Key by Pierre Loti
Cover of the book Luiz de Camões: notas biograficas: Prefacio da setima edição do Camões de Garrett by Pierre Loti
Cover of the book Out of Mulberry Street: Stories of Tenement Life in New York City by Pierre Loti
Cover of the book Memoirs of the Life of the Rt. Hon. Richard Brinsley Sheridan (Complete) by Pierre Loti
Cover of the book James Braithwaite, the Supercargo: The Story of his Adventures Ashore and Afloat by Pierre Loti
Cover of the book Vocational Guidance for Girls by Pierre Loti
Cover of the book Sónnica by Pierre Loti
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy